[microsound-announce] [framework radio] #833: 2023.02.19

[::: murmer :::]

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framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#833: 2023.02.19
listen to this edition here:
https://frameworkradio.net/2023/02/833-2023-02-19/

patreon campaign progress report:
116 patrons (up from 115)
61% towards our goal (down from 62%)
want to help? http://www.patreon.com/frameworkradio

another little reminder that we have recently released the latest edition of our ongoing series of fundraising compilations, framework:seasonal, and it has been getting great reviews. if you haven't had a listen yet (we'll start airing the tracks in next week's show), go on over to our bandcamp page and check it out, and if you like if, buy it! this is one of the ways we use to keep the show on the air, so show your support for framework by paying real money for a (great) virtual release with no physical form:

https://frameworkeditions.bandcamp.com/album/framework-seasonal-issue-12-winter-2023

this edition of framework:afield has been produced in france by pierre juillard. for more of his work see https://pierrejuillard.bandcamp.com/. producer's notes:

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Bonjour i’m Pierre Juillard from France. I’m working in ecology and protection of biodiversity and I’m a musician and audio-naturalist as well. This programme called ‘unknown languages’ was recorded between March and September 2022, in the east of Burgundy. All these places are located around my home : large forests, dry meadows, cliffs and wetlands.

This piece summarizes hours of lonely hikes, waiting, contemplation, observation, silence, restrained breathing ... and enhances the biodiversity of this area full of rich natural sites, but highly threatened by human activities as everywhere else in the world.

I collected these recordings for an educational project with the aim of raising awareness of biodiversity of sound and encouraging the listener to discover for himself. It was also a beautiful deep listening experience for me, focused on the acoustics of places and the discovery of new languages.

You will hear the songs of some of the more representative insects, birds and amphibians of this region. No processed sounds here. Have a good listen.

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again, we are always looking for new material, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated framework:afield series. send proposals or material, released or not, on any format, to the address at the bottom of this mail. if you have any questions, please don't hesitate to get in touch!


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[ time  /  sounds ]

01:20 – 06:50  /  Great Crested Grebe & Eurasian Coot calls / Great Reed Warbler song / Reeds

06:50 – 11:35  /  Alpine Swift cries / Peregrine Falcon’s alarm / Storm / Cliffs

11:35 – 20:40  /  Tree frogs & Green frogs songs / Pond

20:40 – 26:20  /  Songs of Field Cricket / Song of Common Nightingale, European Turtle Dove & Eurasian Golden Oriole / Meadow

26:20 – 29:10  /  Squall of the deer & Wolf Spider drumming / Forest edge

29:10 – 31:35  /  Songs of Italian Cricket / Sheeps and Woodlark / Dry grassland

31:35 – 33:35  /  Common frogs & Common toads songs / Pond

33:35 – 42:00  /  Song of Tawny Owl / Cry of Roe Deer / Forest

42:00 – 47:05  /  Natterjack toad songs / Eurasian Stone-curlew’s cries / Pond

47:05 – 49:50  /  Great Spotted Woodpecker’s drumming / Eurasian Jay’s alarm / Black Woodpecker’s cries / Forest

49:50 – 55:20  /  European Nightjar’s song / Songs of Field Cricket / Cry of Roe Deer / Dry grassland

55:20 – 58:20  /  Acoustics of a cavern / Unidentified bat / Cave


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framework intro submissions:

     1)    take yourself and an audio recorder to a location of your choice
     2)    record for AT LEAST 1 minute before you -
     3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to
field-recording, and its use in composition.  field-recording,
phonography, the art of sound hunting; open your ears and listen!

     4)    continue recording for AT LEAST 2 minutes after the text
     5)    post the
recording to us on any format, or send us an mp3––––––––––––––––––––––––––


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