[microsound-announce] eContact! 19.2 - Light+Sound / Lumiere+son (online)
CEC jef chippewa
jef at econtact.ca
Thu Nov 2 09:07:09 EDT 2017
PRESS RELEASE -- for immediate diffusion / pour diffusion immédiate
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Communauté électroacoustique canadienne
(CEC) Canadian Electroacoustic Community
eContact! 19.2
Light+Sound / Lumière+son
Guest Editor / Rédacteur invité : Nicolas Bernier
[EN] Sound artists have always maintained a
strong relation with the visual. This issue of
eContact! is more specifically interested in the
creative use of sound and light. Historical and
analytical reflections are complemented by
contributions that bring "to light" different
artistic perspectives and practices. (October
2017)
http://econtact.ca/19_2
[FR] Les artistes du son entretiennent depuis
toujours une relation forte avec le travail
visuel. Ce numéro s'intéresse plus spécifiquement
aux liens entre la création sonore et la lumière.
Des pistes de réflexion historiques et
analytiques sont complémentées par des
contributions qui mettent «en lumière»
différentes perspectives et pratiques
artistiques. (octobre 2017)
http://econtact.ca/19_2/index_fr.html
============================================
Editorial
par Nicolas Bernier
HISTORICAL AND ANALYTICAL PERSPECTIVES
On Light Music Before Cinema
by Patrick Saint-Denis
Shades of Synchresis: A Proposed framework for
the classification of audiovisual relations in
sound-and-light media installations
by Adam Basanta
Lumia and Visual Music: Using Thomas Wilfred's
Lumia factors to inform audiovisual composition
by Dave Payling
AUDIOLUMINOSITY
Lumière, matière, science, fiction : réflexions
sur la relation son et lumière dans le cycle
d'¦uvres «frequencies»
by Nicolas Bernier
The Light Bulb in My Music
by Michael Vorfeld
Strobes, Mirrors, Fog and Site-Specific
Experiences: Interview with German composer
Alexander Schubert
by Nicolas Bernier
Audio-Visceral Art: Sound waves and light waves in phase
by Mo H. Zareei and Jim Murphy
(I)MAGESOUND(S): Expanded audiovisual practice
by Andrew Hill and Jim Hobbs
"Cor + Som": Filling an Alentejo castle with colour and sound
by Scott Sherk
TRANSFERENCE: LIGHT TO SOUND AND SOUND TO LIGHT
Transductions: Transforming light into sound
by Charlotte Parallel
Dead Lion, or, The Musical Oscilloscope: A
Diegetic approach to synthesis and feedback
by Daniel Fishkin
Vector Synthesis: An investigation into sound-modulated light
by Derek Holzer
[GALLERIES] LIGHT+SOUND IN CANADA: A PANORAMA
condemned_bulbes (2002), de Alexandre Burton,
Jimmy Lakatos et Julien Roy, for 64 1000W
incandescent light bulbs, custom dimmers and
computer
by Alexandre Burton
Music for Lamps (2012-16), for 3 laptop
performers, 12 lamps and 14.1-channel sound
by Adam Basanta, Julian Stein and Max Stein
Vertex (2013-15), a collaboration of Patrick Saint-Denis and Jean Piché
robotic installation
by Patrick Saint-Denis
Soft Revolvers (2014), audiovisual performance
for 4 spinning tops equipped with sensors
by Myriam Bleau
Boîte noire (2015), for 2 transparent boxes, smoke machine and projector
by Martin Messier
Haptic Field (2016-17), a multisensory installation
by Christopher Salter
new eyes - for [single] player (2017), for 2
projectors, HUD, haze/smoke, Xbox/PS4 controller
and 1 performer
by Remy Siu
--
[NEW] eContact! 19.2 -- Light+Sound | Guest Editor: Nicolas Bernier
Michael Vorfeld, Myriam Bleau, Adam Basanta,
Andrew Hill/Jim Hobbs, Derek Holzer, Charlotte
Parallel...
http://econtact.ca/19_2
Communauté électroacoustique canadienne (CEC)
Canadian Electroacoustic Community
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