[microsound-announce] eContact! 19.2 - Light+Sound / Lumiere+son (online)

CEC jef chippewa jef at econtact.ca
Thu Nov 2 09:07:09 EDT 2017


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Communauté électroacoustique canadienne
(CEC) Canadian Electroacoustic Community

eContact! 19.2
Light+Sound / Lumière+son
Guest Editor / Rédacteur invité : Nicolas Bernier


[EN] Sound artists have always maintained a 
strong relation with the visual. This issue of 
eContact! is more specifically interested in the 
creative use of sound and light. Historical and 
analytical reflections are complemented by 
contributions that bring "to light" different 
artistic perspectives and practices. (October 
2017)
http://econtact.ca/19_2

[FR] Les artistes du son entretiennent depuis 
toujours une relation forte avec le travail 
visuel. Ce numéro s'intéresse plus spécifiquement 
aux liens entre la création sonore et la lumière. 
Des pistes de réflexion historiques et 
analytiques sont complémentées par des 
contributions qui mettent «en lumière» 
différentes perspectives et pratiques 
artistiques. (octobre 2017)
http://econtact.ca/19_2/index_fr.html

============================================


Editorial
par Nicolas Bernier


HISTORICAL AND ANALYTICAL PERSPECTIVES

On Light Music Before Cinema
by Patrick Saint-Denis

Shades of Synchresis: A Proposed framework for 
the classification of audiovisual relations in 
sound-and-light media installations
by Adam Basanta

Lumia and Visual Music: Using Thomas Wilfred's 
Lumia factors to inform audiovisual composition
by Dave Payling


AUDIOLUMINOSITY

Lumière, matière, science, fiction : réflexions 
sur la relation son et lumière dans le cycle 
d'¦uvres «frequencies»
by Nicolas Bernier

The Light Bulb in My Music
by Michael Vorfeld

Strobes, Mirrors, Fog and Site-Specific 
Experiences: Interview with German composer 
Alexander Schubert
by Nicolas Bernier

Audio-Visceral Art: Sound waves and light waves in phase
by Mo H. Zareei and Jim Murphy

(I)MAGESOUND(S): Expanded audiovisual practice
by Andrew Hill and Jim Hobbs

"Cor + Som": Filling an Alentejo castle with colour and sound
by Scott Sherk


TRANSFERENCE: LIGHT TO SOUND AND SOUND TO LIGHT

Transductions: Transforming light into sound
by Charlotte Parallel

Dead Lion, or, The Musical Oscilloscope: A 
Diegetic approach to synthesis and feedback
by Daniel Fishkin

Vector Synthesis: An investigation into sound-modulated light
by Derek Holzer


[GALLERIES] LIGHT+SOUND IN CANADA: A PANORAMA

condemned_bulbes (2002), de Alexandre Burton, 
Jimmy Lakatos et Julien Roy, for 64 1000W 
incandescent light bulbs, custom dimmers and 
computer
by Alexandre Burton

Music for Lamps (2012-16), for 3 laptop 
performers, 12 lamps and 14.1-channel sound
by Adam Basanta, Julian Stein and Max Stein

Vertex (2013-15), a collaboration of Patrick Saint-Denis and Jean Piché
robotic installation
by Patrick Saint-Denis

Soft Revolvers (2014), audiovisual performance 
for 4 spinning tops equipped with sensors
by Myriam Bleau

Boîte noire (2015), for 2 transparent boxes, smoke machine and projector
by Martin Messier

Haptic Field (2016-17), a multisensory installation
by Christopher Salter

new eyes - for [single] player (2017), for 2 
projectors, HUD, haze/smoke, Xbox/PS4 controller 
and 1 performer
by Remy Siu

-- 
[NEW] eContact! 19.2 -- Light+Sound | Guest Editor: Nicolas Bernier
Michael Vorfeld, Myriam Bleau, Adam Basanta, 
Andrew Hill/Jim Hobbs, Derek Holzer, Charlotte 
Parallel...
http://econtact.ca/19_2

Communauté électroacoustique canadienne (CEC) 
Canadian Electroacoustic Community
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