[microsound-announce] [framework radio] #552: 2016.05.15

. m u r m e r . murmer at murmerings.com
Mon May 16 08:27:57 EDT 2016 

framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#552: 2016.05.15
listen to this edition here: 
http://www.frameworkradio.net/2016/05/552-2015-05-15/

this is the second of a multipart series produced by slavek kwi, aka 
artificial memory trace, entitled soundlife. this is chapter 2, CHOOLTD 
(THE DUALITY SONG). for more information, see 
http://www.artificialmemorytrace.com. notes from the producer:

CHOOLTD. HOTCOLD. This is second installment of another Soundorganism 
destined for Framework Radio. These Soundsketches contain (and will 
contain) various episodes inspired by my ordinary and extraordinary 
Soundenvironments, which includes also creative-process-fragments from 
my Soundactivities and spoken or sung thoughts. Still clumsy, but 
getting slowly more in balance. Normality re-installed?

Soooo, this is a reflection on the process of collaboration on multiple 
levels of existence: exploring the notion of “HOT” and “COLD” with Linda 
O'Keeffe, talented composer nowadays living in UK. Actually, I have 
absolutely no idea how to distinguish in sound_realm in between HOT and 
COLD. However, I am very happy to explore it, it seems very interesting 
and I might learn something new. And during the process I did come to a 
momentary conclusion: if the sound (including any association with it - 
either abstract or not) evokes in me feelings of "love" (or similar), I 
perceive it as "hot / warm". The rest seems "cold".

Linda made a piece based on my hot/cold sounds selection, including a 
vocal piece and I created one composition too (and re-cut-up her voice), 
you can hear it here in_mixed in, as it is originally a 4-channel piece, 
I recorded it ambient in my little studio (it includes also unfortunate 
crying via baby-phone of Jonah Kwi who awoke in the night, it was not 
easy to calm him, do not know why).

There is a pre_mix from the collaboration with Porya Hatami, friend from 
distant Iran. He is making these wonderful almost melodic spaces and 
drones, I love meandering in between those pillars and tectonic plates 
and resonant outer space feelings. I wish I would have more time. Maybe 
this is actually a good situation: to create framework to collaborate on 
various surfaces of real and time-dimension. INTERCONNECTEDNESS. I do 
have tendency to connect everything ...

I am invited to portray one of the Canary Islands – there are seven of 
those volcanic pieces of Earth stuck in the Atlantic Ocean and seven 
artists – got some sounds recorded there from a collective presented to 
me by Antonio Chavez Fernandez. I am using here a few short 
sound-objects I created from those sounds. Especially endemic whistling 
language from La Gomera is absolutely stunning!

Ah, yes! And again (like in Chapter One): limpet&stone min_instrument, a 
gift from Tony Whitehead, has a short appearance here: would you find it 
in this phantasmagorical jungle? I think it is rather audible, but if 
you do not know what to look for, might be not easy.

Visiting dentist, ... all those drilling in my mouth. James Kwi rocking 
with branches in Virginia woods sometime ago. Then recently boys sitting 
at the table and drawing while I am listening ambient recordings from 
the process of working on hot/cold-thingy. Dragon-monster attacks little 
James Kwi in the bathroom long time ago ... memories distorted and 
melted ... Helen Blackhurst reading text of Molly Harrison ...what did I 
forget?

For all my friends, unfriends and not friends yet. And thanks to Patrick 
- again and again ...

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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framework intro submissions:

      1)    take yourself and an audio recorder to a location of your choice
      2)    record for AT LEAST 1 minute before you -
      3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

      4)    continue recording for AT LEAST 2 minutes after the text
      5)    post the recording to us on any format, or send us an 
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