[microsound-announce] [framework radio] #540: 2016.01.17
. m u r m e r .
murmer at murmerings.com
Mon Jan 18 05:58:19 EST 2016
framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!
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- tuesday, 04:00 ::: hudson valley, us ::: wave farm radio & wgxc 90.7fm
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- tuesday, 12:00 ::: south devon, uk ::: soundartradio 102.5fm
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- wednesday, 16:00 ::: brighton, uk ::: resonance extra
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- wednesday, 21:00 ::: helsinki, fi ::: korppiradio
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- saturday, 08:00 ::: lisbon, pt ::: radio zero
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- saturday, 14:00 ::: tartu, ee ::: generaadio
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- saturday, 19:00 ::: hudson valley, us ::: wave farm radio & wgxc 90.7fm
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#540: 2016.01.17
listen to this edition here:
http://www.frameworkradio.net/2016/01/540-2016-01-17/
this edition of framework:afield has been produced by john hopkins, aka
neoscenes, and is entitled "water fills the hall". notes from the producer:
"water fills the hall" is a sustained drift through the
hopkins/neoscenes personal archive of field recordings relating to
water. There is no detailed playlist as the work is a multi-track
layering of sources and includes essences of several hundred field
recordings from four continents. Many of the individual field recordings
are available on the aporee::maps (link: http://aporee.org/maps/) field
recording project under the 'neoscenes' moniker.
To sketch a few: it opens in the Mojave desert, as flies collect around
the body of a dead rattlesnake, the dry air desiccating the corpse;
there is organ practice by the harbor in Sydney; and wandering through
the Pergammon on the Spree; students protesting along the Vilna River;
monsoon rains and thunders, falling and filling desert cisterns in the
High Sonoran desert; telecom wires hum in moist Arctic chill;
melt-waters slowly cleave the Rocky Mountains to dust; film projectors
clatter while representing fluid realities (homage to mentor and friend,
film-maker Stan Brakhage); Geiger counters count what heavy waters we’ve
made; rains falls on the roofs of hydrocarbon-fired chariots; rivers
rage, and whining pumps pump the rivers; while F-18s storm in the wet
clouds overhead, and baptisms soulfully bless the swimming pools; a
plague of cicadas stands ready for the waters to recede, and is it
Noah's ark departing into an unknown future on the gray Baltic?
As a current and former resident of the US southwest with its tremendous
water problems, the work is intended partly as a complex exploration of
and meditation on water itself. Water in motion energetically yields
sound; and thus, the work is about moving waters. Humans seek to direct
those movements to their advantage with (lovingly graceful!) machinic
systems, and in that lies a fundamental conflict. This is a mapping of
that conflict: how the human species alters the flows of energy in the
bio-system around itself.
The I Ching suggests that water simply flows, on and on, filling up all
the places through which it moves. Nothing can make it lose its own
essential nature: it remains true to itself under all conditions. What
are we in the face of such an energized flux? Are we advancing or are we
retreating with the tide? Will the rain wash our sins away? If we can
swim, will we drown? Do we recall our amphibian soul? Are we thirsty for
more? Are we simply thirsty?
http://neoscenes.net/blog/
again, we are always looking for new material, whether raw field
recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated framework:afield series. send proposals or material,
released or not, on any format, to the address at the bottom of this
mail. if you have any questions, please don't hesitate to get in touch!
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framework intro submissions:
1) take yourself and an audio recorder to a location of your choice
2) record for AT LEAST 1 minute before you -
3) read aloud the following text (in english or translated):
welcome to framework. framework is a show consecrated to
field-recording, and its use in composition. field-recording,
phonography, the art of sound hunting; open your ears and listen!
4) continue recording for AT LEAST 2 minutes after the text
5) post the
recording to us on any format, or send us an mp3
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framework
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