[microsound-announce] [framework radio] #528: 2015.10.11
. m u r m e r .
murmer at murmerings.com
Mon Oct 12 15:32:09 EDT 2015
framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!
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#528: 2015.10.11
listen to this edition here:
http://www.frameworkradio.net/2015/10/528-2015-10-11/
this edition of framework:afield has been produced in germany by regular
contributor d. l. lutz. notes from the producer:
Earscape:Stellar
In outer space, there is absolute silence – because of the lack of air
that could carry sound waves. But it is very intriguing to imagine a
music of the spheres, with the “chords” added by man’s attempts to enter
this space: the harshness, coldness, absurdity, emptiness of the cosmos.
Two main musical sources served as paths into this realm: Biosphere’s
much underrated masterpiece “Autour de la Lune”, sampling MIR station
sounds and snippets from a radio play of Jules Verne’s “From The Earth
To The Moon” (1865), commissioned by Radio France Culture in 2003, and
Marc Weidenbaum’s “Disquiet Junto Challenge” #89 dealing with Voyager
One’s last signals before it disappeared from NASA’s radars, resulting
in many individual musical answers from which I chose a couple of my
favourites. Much of the noises heard are of technical nature, but there
is also improv jazz, drones, radio excerpts, early computer music, all
trying to illustrate man’s alienation when confronted with the cold
light of stars. Have a good journey and return safely to mother earth!
D. L. Lutz, born 1969 in Germany, is a practising architect, writer and
sound artist living in Berlin.
again, we are always looking for new material, whether raw field
recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated framework:afield series. send proposals or material,
released or not, on any format, to the address at the bottom of this
mail. if you have any questions, please don't hesitate to get in touch!
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[sound sources]
- Biosphere: Vibratoire / Disparu / Circulaire / Modifie; all tracks
from: Autour de la Lune, Touch Records 2004; see insightful review here:
http://pitchfork.com/reviews/albums/710-autour-de-la-lune/
- KBW16: Launch, http://freesound.org/people/KBW16/sounds/81954/
- Weebrian: Condom Rocket,
http://freesound.org/people/weebrian/sounds/15695/
- Michael Ash Sharbaugh: Solar Wind; contribution to Disquiet Junto #89,
see under http://disquiet.com/2013/09/12/disquiet0089-vger/
- David Toop: Nocturnal Service Shaft / Watchtower Data; acoustics for
an installation about globalized highrise architecture at the end of the
20th century; from: 37th Floor At Sunset (Music For Mondophrenetic), Sub
Rosa Records 2000
- Olivier Messaien: Oraison, one of the first purely electronical pieces
ever, composed for the Paris International Expo in 1937; here performed
by Ensemble D’Ondes De Montreal, under licence of SNE, 1992
- Richard Maxfield: Sine Swarm (A Swarm Of Butterflies Encountered Over
The Ocean) (1959), copyright by Just Eternal Music; from: OHM+, Ellipsis
Arts, 2000
- Otolythe (Margaret Nelson): Goldfinch @ Heliopause; contribution to
Disquiet Junto #89, see under
http://disquiet.com/2013/09/12/disquiet0089-vger/
- Mark Rushton: My Fickle Friend, The Solar Wind; contribution to
Disquiet Junto #89, see under
http://disquiet.com/2013/09/12/disquiet0089-vger/
- Brian Eno: Matta; from: Apollo, Atmospheres & Soundtracks, originally
composed for the film “Apollo / For All Mankind” by Al Reinert, EG
Records, 1983
- Toshiya Tsunoda: Bottle At Park; from: The Air Vibration Inside A
Hollow, Häpna 1999
- Aino Tytti: Hellissandur Mast, Touch Radio #96, field recording of a
remote Icelandic longwave radio transmitter, see under
www.touchradio.org.uk/touch_radio_96.html
- Danny Draait (D. Dootjes): Stare In The Sky, audiocollage on
Soundcloud, including snippets from Stanley Kubricks “2001”;
http://soundcloud.com/dannydraait, link deleted
- Max Eastley & David Toop: Eyelash Turned Inwards; from: Doll Creature,
Bip_Hop, 2004
- Colab (Mikael Hansson): Music For Travelling Into The Void;
contribution to Disquiet Junto #89, see under
http://disquiet.com/2013/09/12/disquiet0089-vger/
- Alvin Lucier: Sferics; extract from: Sferics, Lovely Music, 1988
- Keith Rowe & John Tilbury: Cathnor; from: Duos For Doris, Erstwhile 2003
- Julien-Nicolas Robert: Helicoide, source unknown
- Abinadi Meza: -5°F, track downloaded from soundcloud.com, link deleted
- Freed: Sparkling Zone; a great live remix of freesounds created by
aikighost, Corsica_S, Andrew Duke, Freed;
http://www.freesound.org/people/Freed/sounds/104131/
- Steve Moshier: The Void & Beyond, contribution to Disquiet Junto #89,
utilizing the following sources: Louis Armstrong's Melancholy Blues,
Bach's C Minor Prelude and the Gavotte from Partita No. 3 in E,
Beethoven's 5th Symphony, Chuck Berry's Johnny B. Goode, Blind Willie
Johnson's Dark Was The Night, and Igor Stravinsky's Rite of Spring; see
under http://disquiet.com/2013/09/12/disquiet0089-vger/
- Cydon: Sonar Wide, http://freesound.org/people/cydon/sounds/133062/
- World Abounding (Joel David Palmer): Bon Voyager 1; contribution to
Disquiet Junto #89, see under
http://disquiet.com/2013/09/12/disquiet0089-vger/
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framework intro submissions:
1) take yourself and an audio recorder to a location of your choice
2) record for AT LEAST 1 minute before you -
3) read aloud the following text (in english or translated):
welcome to framework. framework is a show consecrated to
field-recording, and its use in composition. field-recording,
phonography, the art of sound hunting; open your ears and listen!
4) continue recording for AT LEAST 2 minutes after the text
5) post the
recording to us on any format, or send us an mp3––––––––––––––––––––––––––
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framework
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