[microsound-announce] [framework radio] #534: 2015.11.22

[. m u r m e r .]

framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#534: 2015.11.22
listen to this edition here: 
http://www.frameworkradio.net/2015/11/534-2015-11-22/

this is the second of two editions of framework:afield produced in 
ireland by slavek kwi, aka artificial memory trace.

ARTIFICIAL MEMORY TRACE presents: MM_ABSTRAKTAL
(mirror image to MM_KONKRETAL)

This piece is emerging from sounds recorded in South Africa during Sonic 
Mmabolela 2013.

Credits:
1. Eric Miller (USA): treatments and processes - sometimes extreme - of 
voice of Francisco Lopez (lecture originally recorded by Kwi during 
Mamori Sound Project in Brazilian Amazon, 2010)
2. Robyn Farah (South Africa): fragment of metal fence in Mmabolela 
recording with contact mics.
3. Slavek Kwi (CZ/Eire) = all field recordings (transformed or not), 
voice (recital of latin names of beetles and short notes in czech 
language), concept and composition (some material was originally used in 
Synkronika CD release of AMT).

Created by Slavek Kwi 2015 especially for Framework.
Sonic Mmabolela was organized by Francisco Lopez and James Webb.

for more information see www.artificialmemorytrace.com, and 
www.francoscolopex.net/field.

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––


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