[microsound-announce] [framework radio] #512: 2015.05.17

[. m u r m e r .]

framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#512: 2015.05.17
listen to this edition here: 
http://www.frameworkradio.net/2015/05/512-2015-05-17/

sometimes a show just comes together. the albums pull themselves from 
the pile and the tracks arrange themselves. there's not much more i can say.

lots of soundcloud and bandcamp links in the playlist below, so lots of 
chances to check out many of these artists further. sound_00's album is 
available as a free download. we announced that alan courtis' works were 
from an album called 'pieces', which we've since discovered to be untrue 
- they're actually from a split cd with kazuya ishigami entitled 
'aurantium lumino'. unfortunately we don't have ishigami's part of the 
release, so we only featured alan's half (who is credited by his 
oft-used moniker anla courtis). we also badly guessed on-air that 
ian-john hutchinson is originally from the uk, which was a total 
brain-blank, as we are actually well aware that he is originally from 
new zealand.and how pleased are we to finally have an excuse to play 
some charlemagne palestine? i think he mixed those found sounds into 
this new album just for us.

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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[time  /  artist  /  track  /  album  /  label]

00:00 - 07:46  /  james hood  /  framework introduction, recorded in the 
u.s.
https://soundcloud.com/lost-black-lab/

04:00 - 10:48  /  sound_00  /  fear of music 1  /  fear of music  / 
charlotte sometimes
https://soundcloud.com/sound_00, http://charlottesometimes.bandcamp.com

10:00 - 15:02  /  anla courtis  /  mater matris mutatio  /  aurantium 
lumino  /  neus-318
http://www.neus318.com

11:59 - 24:16  /  gerald fiebig  /  seychelles radio  /  -  /  -
http://www.geraldfiebig.net

16:15 - 23:06  /  ian-john hutchinson  /  [track 3]  /  in the meantime 
  /  [self-release]
https://soundcloud.com/ian-john-hutchinson

20:11 - 28:41  /  artificial memory trace  /  [track 4]  /  synkronika / 
  noise below/tentacles of perception
http://www.artificialmemorytrace.com, http://noise-below.org

21:35 - 41:04  /  charlemagne palestine  /  [excerpt]  /  ssingggg 
sschlllingg sshpppingg  /  idiosyncratics
http://www.idiosyncraticslabel.net

27:14 - 33:25  /  anla courtis  /  nitor lex quid  /  aurantium lumino / 
  neus-318
http://www.neus318.com

28:20 - 41:35  /  sound_00  /  fear of music 2  /  fear of music  / 
charlotte sometimes
https://soundcloud.com/sound_00, http://charlottesometimes.bandcamp.com

34:41 - 42:15  /  ian-john hutchinson  /  [track 1]  /  in the meantime 
  /  [self-release]
https://soundcloud.com/ian-john-hutchinson

42:00 - 49:44  /  artificial memory trace  /  [track 2]  /  synkronika / 
  noise below/tentacles of perception
http://www.artificialmemorytrace.com, http://noise-below.org

42:31 - 55:08  /  gerald fiebig  /  sounds from a room  /  -  /  -
http://www.geraldfiebig.net

46:04 - 55:12  /  sound_00  /  fear of music 3  /  fear of music  / 
charlotte sometimes
https://soundcloud.com/sound_00, http://charlottesometimes.bandcamp.com

47:26 - 56:35  /  anla courtis  /  fides persevero orbis  /  aurantium 
lumino  /  neus-318
http://www.neus318.com

49:52 - 57:00  /  ian-john hutchinson  /  [track 5]  /  in the meantime 
  /  [self-release]
https://soundcloud.com/ian-john-hutchinson


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framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––


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