[microsound-announce] [framework radio] #460: 2014.03.30

. m u r m e r . murmer at murmerings.com
Mon Mar 31 05:31:53 EDT 2014


framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#460: 2014.03.30
listen to this edition here: 
http://www.frameworkradio.net/2014/03/460-2014-03-30/

this edition of framework:afield has been produced by regular 
contributor keith de mendonca. keith's notes about the show:

"Framework Afield : festivals in India, Vietnam, Nepal and Sri Lanka. 
Following on from earlier editions of framework afield in Asia #165, 
#188 and #340, this programme tours Asia during 2013.

"We visit the Maha Kumbh Mela in Allahabad where 100 million Hindus 
bathed at the confluence of the Ganges, Yamuna and mythical Saraswati 
rivers in 2013.

"We then make our way to Jodhpur for a Rajasthani folk festival where 
local musicians are invited from across the musically rich Indian state 
to perform in the Mehrangarh fort under an Autumn full moon.

"Following on are sounds from temples, street ambiance and traditional 
music from Hanoi and Hoi An, Vietnam. Then prayer wheels, bells, music 
and traditional dancing from Khatmandhu and Bharatpur in Nepal. Finally 
we visit the August religious festival in Kataragama, southern Sri Lanka."

for more information contact keith at: disembodied at onetel.com

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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[time - place : sound]

Kumbh Mela - India
00.00 - Varanasi : Bells and horns after the fire puja ceremony
01.35 - Allahabad : Pontoon 17 over the Ganges river at night
03.30 - Allahabad : Women singing around a camp fire
05.20 - Allahabad : Gamelan sounds from a campsite 2am
07.28 - Allahabad : Naga Sadhus chanting  3am
09.23 - Allahabad : Procession chants and ambiance
12.01 - Allahabad : Lost & found announcements
13.00 - Allahabad : Horns blown along the procession to the river

Jodhpur India
16.20 - Jodhpur : Musicians practicing in the town square before a free 
concert
18.04 - Jodhpur : Two boys singing, clapping - stringed instrument 
accompaniment
20.00 - Jodhpur : Drums and Castanets
22.18 - Jodhpur : Circular men's dance
24.03 - Jodhpur : Men's dance (flat drum and metal castanets)
26.16 - Jodhpur : Jaw harp and tabla
30.09 - Jodhpur : Flutes

Vietnam
33.12 - Hanoi :  Street loudspeakers
35.00 - Hoi An : Reed mat weaving machine
36.34  - Hanoi : Temple singing at Đình Tây Luông temple
38.59 - Hanoi : St Jospeh's church bells
39.47 - Hanoi : Ca Tru musicians
42.30 - Hoi An : Reed mat weaving machine
42.40 - Hoi An : Riverside street market voices
42.55 - Hanoi : Temple singing at Đình Tây Luông temple

Nepal
44.58 - Khatmandhu : Bells and prayer wheels at the Boudhanath Stupa
45.56 - Khatmandhu : Teacher at the Swayambhunath Stupa
46.10 - Khatmandhu : Political speech, main square
46.20 - Khatmandhu area : Traditional dance
47.24 - Khatmandhu : pensioners singing along to a harmonium
48.51 - Bharatpur : Evening songs by a temple in the main square

Sri Lanka
49.30 - Mulirigala - Prayer whilst tying a Rakhi wrist band
50.27 - Kataragama : Blessings and bells at Maha Devale
51.07 - Kataragama : Street seller's horns and bells
51.45 - Kataragama : Kavadi (peacock dance) band. Crowd hoops during 
piercings
53.34 - Amritsar : Stadium announcer at the India/Pakistan Wagah border


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framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––


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