[microsound-announce] eContact! 16.3 -- TES 2013 (online / en ligne)

[CEC jef chippewa]

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Communauté électroacoustique canadienne
(CEC) Canadian Electroacoustic Community

eContact! 16.3 -- TES 2013
Toronto Electroacoustic Symposium / Symposium Électroacoustique de Toronto


[E] The seventh edition of TES brought together 
researchers and practitioners from diverse 
backgrounds to share and discuss their 
interrogations of the many diverse aspects of EA 
practices -- from laptop orchestras to software 
development to interactive performance practices. 
TES 2013 co-presenters CEC and NAISA were pleased 
to welcome Francis Dhomont as keynote speaker.
http://cec.sonus.ca/econtact/16_3

[F] La septième édition du Toronto 
Electroacoustic Symposium (TES) réunissait des 
chercheurs et des praticiens de divers horizons 
pour discuter et partager leurs propres 
réflexions sur différents aspects des nombreuses 
pratiques électroacoustiques -- orchestres 
d'ordinateurs portables, développement de 
logiciels, pratiques de performance interactive. 
Les coprésentateurs du TES 2013, la CEC et NAISA, 
étaient fiers d'accueillir Francis Dhomont à 
titre de conférencier.
http://cec.sonus.ca/econtact/16_3/index_fr.html

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Abstraction et figuration dans ma musique... et autres considérations
by Francis Dhomont

Mastering the Mutable: Music, technology and change
by Steven Naylor

Interacting with Inner and Outer Sonic 
Complexity: From microsound to soundscape 
composition
by Barry Truax

From Sound to Score and Back: Approaches to composing with spectral data
by David Litke

Live and Non-Real-Time Source Separation Effects for Electroacoustic Music
by Nick Collins

Lost in Transformation: Composer as translator
by Benjamin O'Brien

[Lecture-Recital] CrossTalk: A Reflection on the 
development of an interactive performance
by Michael Palumbo

[Lecture-Recital] Hadronized Spectra (The LHC 
Sonifications): Sonification of proton collisions
by Michael Rhoades

LANdini: A networking utility for wireless LAN-based laptop ensembles
by Jascha Narveson and Dan Trueman

MyPic: A Tool for computer-assisted algorithmic composition
by Daniel Swilley

Quince: A Modular approach to music editing
by Maximilian Marcoll

Affective Computing, Biofeedback and 
Psychophysiology as New Ways for Interactive 
Music Composition and Performance
by Valery Vermeulen

Miniature Form in Electroacoustic and 
(Instrumental) New Music: A typology supported by 
an audio gallery in order to establish a 
conclusive definition of "miniature form"
by jef chippewa

Structure Formation: An Analysis of electronic 
superimpositions in Stockhausen's "Solo"
by Mark Nerenberg

Analysis of Christian Calon's "The Standing Man"
by Bijan Zelli

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Communauté électroacoustique canadienne (CEC) 
Canadian Electroacoustic Community
http://cec.sonus.ca  \|\  mailto:cec at sonus.ca

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