[microsound-announce] [framework radio] #478: 2014.08.03
. m u r m e r .
murmer at murmerings.com
Wed Aug 6 04:54:52 EDT 2014
framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!
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- sunday, 18:00 ::: tartu, ee ::: generaadio
[http://raadio.genklubi.ee]
- sunday, 23:00 ::: london, uk ::: resonance 104.4fm
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- monday, 05:00 ::: amsterdam, nl ::: concertzender
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- monday, 16:30 ::: vancouver, us ::: radio nouspace
[http://www.radionouspace.net]
- tuesday, 12:30 ::: south devon, uk ::: soundartradio 102.5fm
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- wednesday, 15:00 ::: lisbon, pt ::: radio zero
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- saturday, 11:00 ::: new york state, us ::: wgxc 90.7fm
[http://www.wgxc.org]
- saturday, 14:00 ::: brasilía, br ::: rádio paisagem
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#478: 2014.08.03
listen to this edition here:
http://www.frameworkradio.net/2014/08/478-2014-08-03/
well folks, this is our last show before our annual summer break - we're
taking the month of august (and a bit of september) to recharge our
batteries and refresh our ears. the next new edition, #479, will premier
on sunday, september 14th. we're already setting some new arrivals aside
for it that we're very excited about. also, around 1000 releases that
have been in storage for many years have just finally made it to
framework's estonian HQ, and going through them, we see there are many
older gems that have never made it to the framework airwaves, so we are
planning to introduce a new segment in the fall for older works. if you
can't wait until september for more framework, we're pretty sure you
haven't worked your way through everything in the archives yet, so you
can spend the month ear-digging!
http://www.frameworkradio.net/archive
this edition, entitled 'liquid', has been produced in berlin, germany by
regular contributor, architect, writer, and sound artist d.l. lutz.
notes from the producer:
"2006, I did a bike tour along the Baltic sea coast of Germany and
rediscovered my maritime past – I grew up very close to the North sea,
accustomed to heavy rain, storm tides, constant wind and a never-ending
fascination to look out on endless bodies of water.
This earscape is a condensed version of a 3-hour listening piece that I
developed after that holiday, displaying various facets of the element
of water and containing a lot of personal acoustical favorites. The mix
also includes various musical tracks that I find very much “waterlike”.
The first part deals with the organic white noise of water (starting
with an old English fog horn, followed p.ex. by an abstraction by
Montgomery who illustrates the hydraulics of a submarine-like boiler
room and ending with a large ferry entering the harbour of Bergen), the
second part examines how the experience of time is influenced by the
phenomenon of water (including a great St. Kilda seabird field recording
by Wyse & Haynes, a key Gamelan composition by Paul Schütze and p.ex. a
recording of a vaporetto night depot in Venice), and the third part is
based on the idea of sinking from the water’s surface to the ground
(utilising various electronic pieces by Barrett, Schütze and Redolfi
after an introduction of a land rain I recorded myself, and ending with
a rare Köner track that sounds to me as if an old sunken ship is
breaking apart from deep sea pressure)."
again, we are always looking for new material, whether raw field
recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated framework:afield series. send proposals or material,
released or not, on any format, to the address at the bottom of this
mail. if you have any questions, please don't hesitate to get in touch!
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[sound sources]
01’-04’ Evelyn Glennie: Seaside; from: “Touch The Sound” OST, Normal
Records, 2004
06’-12’ Biosphere: Fluvialmorphologie; installation within an art
project by Artcircolo and Gelsenwasser, Gelsenkirchen / Germany, 2002
10’-14’30 Will Montgomery: Submarine; Touchradio Episode 36, 2008,
www.touchradio.org.uk
14’-15’ Milo: Finmarkken II; http://freesound.org/people/milo/sounds/23978/
15’-21’ Brian Eno: The Lost Day; from: Ambient #4 On Land, Virgin
Records 2004
13’-21’ Pascal Wyse & Tom Haynes: A Rock And A Hard Place; Touchradio
Episode 47, 2010, www.touchradio.org.uk
20’-26’ D. L. Lutz: Sassnitzhafen I; self-published
05’-06’ / 39’-46’ / 46’-47’ / Natasha Barrett: Mobilis In Mobili / Deep
Layer; from: Trade Winds, Aurora 2007
24’-30’ Paul Schütze: The Rapture Of Ornaments; from: New Maps Of Hell,
Big Cat Records 1996
23’-34’ Enrico Coniglio: Sapientumsuperacquis; Touchradio Episode 30,
2008, www.touchradio.org.uk
34’-37’ Toshinoro Kondo: Clear Water; from WMFU archives (link
deleted), date unknown
32’-36’ D. L. Lutz: Gottsbüren III; self-published
36’-38’ Connum: Dripstone Cave;
http://freesound.org/people/Connum/sounds/17332/
36’30-39’30 Biosphere: Moistened & Dried; from: Cirque, Touch Records, 2000
38’30-46’ Paul Schütze w/ Clive Bell, Simon Hopkins, Thomas Köner:
Partial Site; downloaded from http://www.paulschutze.com/partial-site.html
39’-40’ Roscoetoon: Water Drip Echo II;
http://freesound.org/people/roscoetoon/sounds/27151/
43’-56’ Michel Redolfi: A Sunny Afternoon At Bird Rock Beach; from:
Sonic Waters #2, Hat Hut Records 1990
51’30-56’30 Thomas Köner: Subnival; from: em:t 2000, Instinct Records, 1995
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framework intro submissions:
1) take yourself and an audio recorder to a location of your choice
2) record for AT LEAST 1 minute before you -
3) read aloud the following text (in english or translated):
welcome to framework. framework is a show consecrated to
field-recording, and its use in composition. field-recording,
phonography, the art of sound hunting; open your ears and listen!
4) continue recording for AT LEAST 2 minutes after the text
5) post the
recording to us on any format, or send us an mp3––––––––––––––––––––––––––
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framework
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