[microsound-announce] [framework radio] #419: 2013.05.05

[. m u r m e r .]

framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#419: 2013.05.05

this edition of framework:afield, entitled 'dirty tracks', has been 
produced in germany by stefan paulus. stefan writes about the process of 
piecing this work together from his psychogeographic drifts:

// this show is dedicated to the unknown musicians I have recorded over 
the past years during what guy debord describes as 'dérives' or 
'psychogeographic drifts': the experimental exploration of the 
environment through coincidence and other methods to disturb your normal 
behavior  or motivations as a pedestrian or car driver. drifting is the 
search for an ecstatic moment or 'ecstatic truth', like werner herzog 
says. if I get on a track – I try to document what I find //

// sometimes I had to borrow a cellphone, or I used a crappy digital cam 
to record //  that’s why this show isn´t a high-end surround sound field 
report  // this radio show is about these ecstatic moments  // for 
example: I followed people to a bar in hungary ... and some solo 
entertainer is playing ... people drink beer and dance // I walked 
through a block party and ended up in a street riot ... people dance to 
reggae music and you hear bottles shattering on police cars // you will 
hear music from some gatherings, a powwow, indonesian rituals, music 
from a record shop in turkey, from hippy parties or bonfire music in the 
mid-west  //

// some of these records are done before GPS was in every technical 
instrument … that´s why this show isn´t a sound-mapping cartography // 
most of the time I don't even know what the people are singing about and 
I don´t know the names of the bands – if they even have names // 
sometimes I can’t locate the places anymore, because the goal of 
psychogeography is to get lost, and to create an altering reality //

for more information see http://psychogeography.blogsport.de.

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the recording to us on any format, or send us an mp3
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