[microsound-announce] 12.07.13 ::: FEMALE SOLOISTS IN BERLIN ::: QUOTA; UNQUOTA SALON BRUIT

[Julian Bonequi]

*QUOTA;UNQUOTA EPISODES #05 | FRIDAY 12.07.13 *
K77 -Lichtblick Kino- SALON BRUIT BERLIN
in collaboration with  Audition Records
Doors open 22:00 ::: Concerts start 23:00

*WATCH PREVIOUS PERFORMANCES & INTERVIEWS*
Updated video-archive and upcoming concerts
http://www.auditionrecords.com/quota.php


*SOLOS:*

ROBERTA WJM |  http://www.burpenterprise.com/burp/articoli/wj-meatball/
Roberta WJM Andreucci is a percussionist, an experimental producer and DJ,
and on air personality. She has more than twenty year of experience
organizing and promoting alternative music events. She practices plagiarism
and the cutting and mixing of musical and ambiental aural sources. Early in
her career she started focusing on the use of voices and on vocal
metalinguism, focalizing on her personal practice of “cuttingandslicing”
and on rhythm patterns obtained through an improper use of her tools of the
trade (cdjs, cd player, md, me mixer). Through the years her percussion set
morphed into a hybrid encompassing a dj booth, a radio dj one, a microphone
station for electroacustic experiments, and a mnemonic butcher’s slab. She
is a founding member of performing music units such as Jealousy Party,
Semerssuaq, and Sistemi Audiofobici Burp. She is the director of the music
label Burp Publications.

Through the years her percussion set morphed into a hybrid encompassing a
dj booth, a radio dj one, a microphone station for electroacustic
experiments, and a mnemonic butcher’s slab. She is a founding member of
performing music units such as Jealousy Party, Semerssuaq, and Sistemi
Audiofobici Buro. She is the director of the music label Burp Publications.

ANAÏS TUERLINCKX | *http://soundcloud.com/mrs-ana-s*
"I believe in Noise as a richer musical source than tones. I want to reveal
the physicality of the piano as a dirty monster. I expect the audience to
shiver with me thanks to the vibes from inside the piano. Music as a
channel for the exchange of fluids and energies in the most direct way
possible. The piano is not an instrument but a partner that helps me
express the unspeakable.

I feel I want to get absorbed by and take the audience into the noise (as I
feel when I listen to some concerts by others) and a wall of sound where
you cannot really distinguish the sources of the sound, where everything is
melting into an impossible cry, when you feel like many voices are
screaming but there are no voices, when you come into trance and you begin
to get sonic hallucinations, when your body shakes from the extreme
loudness and power of the basses, when music is liberating destruction. Of
course these words are strong and it is probably an utopia to get there but
I want to believe in it and work harder to slowly move in this direction."

ALEXANDRA CÁRDENAS | *http://cargocollective.com/tiemposdelruido*
Born in Bogotá, Colombia in 1976. Studied Composition at Los Andes
University. Her work has been played in several concert halls in Colombia,
Venezuela, Mexico, United States, Europe, China and India and have also
been played by many different soloists and chamber ensembles as Tambuco.
Her work “Palíndromos” got an honorific mention at the Third Latin-American
Harp Encounter in Venezuela. In 2003 she was granted an Artistic Residence
at the Multimedia Center in the National Center for the Arts, in Mexico
City, where she lived since 2001.

Resident artist at Tokyo Wonder Site in 2012. Since 2008 she works with
SuperCollider, programming and improvising music. She is constantly
creating projects at the Multimedia Center in Cenart Mexico, with the
support of Robotics and Audio Workshops. Her work focuses on
experimentation using live electronics, improvisation, creation of
controllers and interfaces and livecoding. Currently studies at Universität
der Künste Berlin (UdK).
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://or8.net/pipermail/microsound-announce/attachments/20130710/afc6fe22/attachment.html>