[microsound-announce] [framework] playlist #368: 2012.03.25
. m u r m e r .
murmer at murmerings.com
Mon Mar 26 16:45:28 EDT 2012
/*framework*/ - phonography / field recording; contextual and
decontextualized sound activity
presented by patrick mcginley
/*framework*/ broadcasts:
- sunday, 11pm, london, uk on *resonance 104.4fm*
(http://www.resonancefm.com)
- tuesday, 12:30pm, south devon, uk on *soundartradio 102.5fm*
(http://www.soundartradio.org.uk)
- wednesday, 2am, thessaloniki, gr on *cooradio*
(http://www.cooradio.com)
- wednesday, 3am, lisbon, pt on *radio zero* (http://www.radiozero.pt)
- thursday, 7pm, lisbon, pt on *radio zero* (http://www.radiozero.pt)
- thursday, 11pm, maribor, si on *radio marš 95.9fm*
(http://www.radiomars.si)
- friday, 1am, brussels, be on *radio campus 92.1fm*
(http://www.radiocampusbruxelles.org)
- saturday, 11am, new york state, us on *wgxc 90.7fm*
(http://www.wgxc.org)
~ time zone converter:
http://www.timeanddate.com/worldclock/converter.html
<http://www.timeanddate.com/worldclock/converter.html>~
*for general info, playlists, podcasts, or to stream the latest edition
at any time: http://www.frameworkradio.net *
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*#368: 2012.03.25*
this week's /*framework:afield*/ has been produced in the uk by
*felicity ford*, and is a collection of thoughts and recordings
exploring the idea of documenting sound art events. It features
recordings created in summer, 2011 at the *tuned city tallinn festival*
during the /*framework radio*/ *documentation and production workshop*,
which was run jointly by felicity and *valeria merlini*, and also
recordings made by felicity at the *audiograft festival* in oxford in
2011. this is the first of a 2-part series exploring sonic
documentation; the next edition has been jointly produced by felicity
and valeria, and will feature recordings from this year's *audiograft
festival*. It's hoped that this first show will set the scene for some
of the documentary tactics which the pair have been developing in their
work together over the past year.
http://www.sound-diaries.com
http://www.sonicartresearch.co.uk
http://phonopolis.wordpress.com
http://www.tunedcity.de
again, we are always looking for material for the show, whether raw
field recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated /*framework:afield*/ series. send proposals or
material, released or not, on any format, to the address below. if you
have any questions, please don't hesitate to get in touch!
framework
tartu mnt 41
63710 ahja
põlvamaa
estonia
info at frameworkradio.net
------------------------------------------------------------------------
*(details of utilised recordings)*
- Open Field (1980) by Pauline Oliveros (the score is read)
- Heikou by Radu Malfatti, performed by the SET ensemble at the Concept
as Score Concert, Audiograft 2011
- Interviews with students at Oxford Brookes & David Grundy, who went to
the Concept as Score Concert, Audiograft 2011
- Rhodri Davis speaking about performing in For Rilke at the Concept as
Score Concert, Audiograft 2011
- For Rilke by Sarah Hughes, performed by the SET ensemble at the
Concept as Score Concert, Audiograft 2011
- For a drummer, fluxus version 2 by George Brecht, performed by Patrick
Farmer
- Geophone in the ground, recording by Shirley Pegna as research for her
piece at Audiograft 2011, Ground Sound.
- Valeria Merlini and Felicity Ford sounding the gates, the metal, the
space around the Linahalle in Tallinn, Estonia, 2011
- excerpt from the introductory session at the framework radio –
documentation and production workshop in Tallinn, Estonia, 2011, where
Felicity Ford demonstrates that the edirol recorder is recording
- Sound Collage from Audiograft 2011 pre-event podcast, feat. Ray Lee,
Shirley Pegna, Stephen Cornford, Mike Blow, Paul Dibley and Paul Whitty,
and works by those practitioners, including Murmur by Ray Lee, Ground
Sound by Shirley Pegna, Stephen Cornford’s old reel-to-reel cassette
player, Shower Piece by Mike Blow and an electroacoustic composition by
Paul Dibley
- 3 words – a collage of interviews with artists and presenters at the
Tuned City festival, Tallinn, Estonia. Recordings made by Kadi Pilt and
compiled by the framework radio – documentation and production group
- Polishing by George Brecht, performed by Patrick Farmer and Saragh
Hughes at Audiograft 2011
- eBows placed inside a piano in the Richard Hamilton Building, Oxford
Brookes University, by Paul Whitty during a performance at Audiograft 2011
- Stephen Cornford playing the piano and performers dragging benches
around the Richard Hamilton Building, Oxford Brookes University at
Audiograft 2011
- Sounds of Tallinn sound collage compiled during the framework radio –
documentation and production group workshop at Tuned City, Tallinn, 2011
- Derek Holzer introducing Tomas Ankersmit’s performance in the
Linahalle at Tuned City, Tallinn, 2011
- Tomas Ankersmit giving an acoustic tour of the Linahalle during the
Tuned City Festival, Tallinn, 2011
- Paul Whitty introducing the Concept as Score Concert at Audiograft 2011
- Paper Piece by Benjamin Patterson, performed by Dominic Lash, Rhodri
Davies, David Stent, Bruno Guastalla and Paul Whitty
- Polishing by George Brecht, performed by Patrick Farmer and Saragh
Hughes at Audiograft 2011
- The section from the short produced during the framework radio –
documentation and production group workshop at Tuned City, Tallinn, 2011
where we mixed our field recordings of exploring the Cromatico
sonically, as field-recordists, with our recordings of Tomas Ankersmit’s
performance in that space
- Max Eastley’s Aeolian Device, installed at Oxford Brookes University
during Audiograft 2011
- Max Eastley discussing the wind, Felicity Ford and Stephen Cornford
contemplating/discovering the work
- Orange Event Number 24 by Bengt af Klintberg, performed by the SET
ensemble at the Concept as Score Concert, Audiograft 2011
- Schlingen Blängen (organ performance) by Charlemagne Palestine,
performed by Palestine at the Niguliste Church, Niguliste 3, Tallinn, 2011
- Sound collage from the framework radio – documentation and production
group workshop at Tuned City, Tallinn, 2011 which featured Charlemagne
Palestine’s performance, in the - context of many other works
- Worker at Paterei Prison Fortress talking to us about our entry fee to
the prison, then noticing our microphones and letting us go through to
make our recordings
- Echolocator by Aernoudt Jacobs, performed at Patarei Prison Fortress
during the Tuned City Festival, Tallinn, 2011
- Tomas Ankersmit giving an acoustic tour of the Linahalle during the
Tuned City Festival, Tallinn, 2011
- Schlingen Blängen (organ performance) by Charlemagne Palestine,
performed by Palestine at the Niguliste Church, Niguliste 3, Tallinn, 2011
- Shirley Pegna talking about her installation, Listening through Walls,
at Audiograft 2011
- The best coffee shop in Tallinn, recorded by Felicity Ford and Valeria
Merlini
- Paper Piece by Benjamin Patterson, performed by Dominic Lash, Rhodri
Davies, David Stent, Bruno Guastalla and Paul Whitty – discussion about
score, then a recording of the performance in the concert
- eBows placed inside a piano in the Richard Hamilton Building, Oxford
Brookes University, by Paul Whitty during a performance at Audiograft 2011
- Electro-acoustic Vocals performed at the Rotermann warehouse by
Nisu-Rukkijahu Veski, with seagulls going wild, during the Tuned City
Festival, Tallinn,
2011
- Alouetta, performed by Felicity Ford and Pierre-Laurent Cassiere, and
then deconstructed by Kadi Pilt, Felicity Ford and Pierre-Laurent Cassiere
------------------------------------------------------------------------
framework intro submissions:
1) take yourself and an audio recorder to a location of your choice
2) record for /AT LEAST/ one minute before you -
3) read aloud the following text:
*welcome to framework.
framework is a show consecrated to field recording, and its use in
composition. field recording, phonography, the art of sound hunting;
open your ears and listen!*
*/[3b) please also feel free to translate this text into your native
tongue!] /*
4) continue your recording for /AT LEAST/ two minutes after you have
finished speaking
5) post the recording to us on any format, or send us an mp3
thanks!
------------------------------------------------------------------------
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