[microsound-announce] [framework] playlist #372: 2012.04.22
. m u r m e r .
murmer at murmerings.com
Mon Apr 23 09:05:44 EDT 2012
/*framework*/ - phonography / field recording; contextual and
decontextualized sound activity
presented by patrick mcginley
/*framework*/ broadcasts:
- sunday, 11pm, london, uk on *resonance 104.4fm*
(http://www.resonancefm.com)
- tuesday, 12:30pm, south devon, uk on *soundartradio 102.5fm*
(http://www.soundartradio.org.uk)
- wednesday, 2am, thessaloniki, gr on *cooradio*
(http://www.cooradio.com)
- wednesday, 3am, lisbon, pt on *radio zero* (http://www.radiozero.pt)
- thursday, 7pm, lisbon, pt on *radio zero* (http://www.radiozero.pt)
- thursday, 11pm, maribor, si on *radio marš 95.9fm*
(http://www.radiomars.si)
- friday, 1am, brussels, be on *radio campus 92.1fm*
(http://www.radiocampusbruxelles.org)
- saturday, 11am, new york state, us on *wgxc 90.7fm*
(http://www.wgxc.org)
~ time zone converter:
http://www.timeanddate.com/worldclock/converter.html
<http://www.timeanddate.com/worldclock/converter.html>~
*for general info, playlists, podcasts, or to stream the latest edition
at any time: http://www.frameworkradio.net *
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or make a one-time donation here: http://www.frameworkradio.net/donate.
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------------------------------------------------------------------------
*#372: 2012.04.22*
this edition of framework:afield has been produced by *grant smith* and
is entitled /*bird on a beam*/. for more information see
http://www.self-noise.net:
/*bird on a beam*/ samples 10 years of bird recordings which can
best be described as bad:
lacking the means and desire to clearly define and capture the
subject, the would-be wildlife recordist commits every faux pas in
the book.
at the same time another project emerges: a more oblique attention:
to the self-noise of the recording process; but more widely of the
whole field .. a decision to be always 'in the field' [ie not eg 'in
the studio'] here involves exposure to messy and unpredictable
domestic soundscapes, whether at home or camping somewhere .. along
with the constant interferences of natural | industrial, rural |
urban, human | non-human..
interferences mirrored and amplified by translations and
retranslations back and forth between media, plus simple
manipulations, especially of speed, part of the ubiquitous messing
around with the raw materials of our day to day digital captures
it's hard to say what we're hearing: some dubious ornithology or art
history; some kind of subjectivity evoked where channels are
disrupted or interfere; some account of the hard and softwares that
support it - its distinctive impedimenta now - somewhat as the
'voice' produced by the avian syrinx; somebody's audio diaries? some
sounds as openings on new collectives ..
many thanks to grant for putting this show together for /*framework*/.
also, don't forget that the new edition of our /*framework:seaonal*/
fundraising cd series has now been released! we'll get back to sampling
tracks from it in next week's regular edition. in the meantime, please
show your support for /*framework*/ by going to the website, donating,
and ordering your copy today!
http://www.frameworkradio.net/seasonal/spring2012
again, we are always looking for material for the show, whether raw
field recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated /*framework:afield*/ series. send proposals or
material, released or not, on any format, to the address below. if you
have any questions, please don't hesitate to get in touch!
framework
tartu mnt 41
63710 ahja
põlvamaa
estonia
info at frameworkradio.net
------------------------------------------------------------------------
framework intro submissions:
1) take yourself and an audio recorder to a location of your choice
2) record for /AT LEAST/ one minute before you -
3) read aloud the following text:
*welcome to framework.
framework is a show consecrated to field recording, and its use in
composition. field recording, phonography, the art of sound hunting;
open your ears and listen!*
*/[3b) please also feel free to translate this text into your native
tongue!] /*
4) continue your recording for /AT LEAST/ two minutes after you have
finished speaking
5) post the recording to us on any format, or send us an mp3
thanks!
------------------------------------------------------------------------
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