[microsound-announce] [framework] playlist #370: 2012.04.08

[. m u r m e r .]

/*framework*/ - phonography / field recording; contextual and 
decontextualized sound activity
presented by patrick mcginley

/*framework*/ broadcasts:
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(http://www.resonancefm.com)
     - tuesday, 12:30pm, south devon, uk on *soundartradio 102.5fm*  
(http://www.soundartradio.org.uk)
     - wednesday, 2am, thessaloniki, gr on *cooradio* 
(http://www.cooradio.com)
     - wednesday, 3am, lisbon, pt on *radio zero* (http://www.radiozero.pt)
     - thursday, 7pm, lisbon, pt on *radio zero* (http://www.radiozero.pt)
     - thursday, 11pm, maribor, si on *radio marš 95.9fm* 
(http://www.radiomars.si)
     - friday, 1am, brussels, be on *radio campus 92.1fm*  
(http://www.radiocampusbruxelles.org)
     - saturday, 11am, new york state, us on *wgxc 90.7fm* 
(http://www.wgxc.org)

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*for general info, playlists, podcasts, or to stream the latest edition 
at any time: http://www.frameworkradio.net *


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*#370: 2012.04.08*

this week's /*framework:afield*/ is the second in a two-part series. it 
has been coordinated and produced in berlin and the uk by *valeria 
merlini* and *felicity ford*, and it features mixes and recordings made 
by participants in the /*documenting sound*/ workshop held at this 
year's *audiograft* festival in the uk. featuring recordings and 
conversations, this show documents the festival while also reflecting on 
the practice of field-recording and sonic documentary creation. 
recordings were made by *felicity ford*, *valeria merlini*, *charlotte 
heffernan*, *toby o'connor*, *christina bringmann-smith* and *kim 
laugs*, and these recordings detail the varied works showcased at the 
*audiograft* festival 2012, organised by the *sonic art research unit* 
at oxford brookes university.

For further info: http://www.sound-diaries.com / http://www.audiograft.com

again, we are always looking for material for the show, whether raw 
field recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our  guest curated /*framework:afield*/ series. send proposals or 
material, released or not, on any format, to the address below. if you 
have any questions, please don't hesitate to get in touch!


framework
tartu mnt 41
63710 ahja
põlvamaa
estonia

info at frameworkradio.net


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*(tracklist)*

field-recordings made at Oxford Brookes University, Headington Hill Campus

cable/current recorded with electric coil pickup at the Old Fire Station 
Gallery, Oxford, at New Works: Manfred Werder, Ben Owen and Patrick 
Farmer, Audiograft 2012

microphone demonstration by Felicity and Valeria at Documenting Sound 
Workshop, Audiograft 2012

playing with the Audio Technica BP4029; ambient University campus sounds 
recorded with Naiant X-X omni-directional microphones; the railings of 
the Linnahall in Tallinn recorded with contact microphones; and 
Charlotte's binaural recording of cars in Oxford city centre, passing 
from left to right

going to the Old Fire Station Gallery, Oxford, to visit New Works: 
Manfred Werder, Ben Owen and Patrick Farmer, Audiograft 2012

field-recordings and interviews with Shirley Pegna and Patrick Farmer 
made at New Works: Manfred Werder, Ben Owen and Patrick Farmer

student performance, Richard Hamilton Building, Oxford Brookes University

Kim Laug's recording of, and comments re: the entrance door at the 
Richard Hamilton Building

Christina playing with a broken piano in the corridors of the Richard 
Hamilton Building

Charlotte discusses the chronology of the launch-event at Audiograft 2012

Towards an Excellent Finish by Felicity Ford and Stavroula Kounadea

Guitar Drag by Christian Marclay, performed/realised/revised by Lee 
Riley at Oxford Brookes University. Binaural recording made and mixed by 
Charlotte

Cartridge Music by John Cage, performed by Alfredo Costa Monteiro, Lee 
Patterson, Robert Curgenven, Patrick Farmer, Ferran Fages, Daniel Jones 
and Stephen Cornford recorded inside and outside the drama studio

Charlotte and Felicity discuss visibility/invisibility of sources of sounds

Felicity talks about what she heard outside the Drama Studio during 
Cartridge Music and how the performance mixed with the ambient sounds of 
the environment

Mike Blow talks about Solar Work solar-powered oscillators suspended in 
the trees around the Richard Hamilton Building during Audiograft

multiple field-recordings of Solar Work created during a Soundwalk 
undertaken as part of the Documenting Sound workshop

field-recordings of Shirley Pegna's work, exploring soundwaves 
travelling through the body and through surfaces and materials of 
varying densities. Interview and sounds mixed by Charlotte

we all discuss a sound we remember specifically from the day before

three different recordings of an aeroplane passing over the streets of 
Oxford; one recording of the sounds in the streets directly after the 
aeroplane; a recording of a quiet moment from the concert at the 
Holywell Music Room

Lost & Found Concert, Holywell Music Room, including Cover Me Cage by 
Kerry Yong; Geese by Ben Owen realised by the Albion Players; Harp & 
Things by Felicity Ford; new works by Tim Parkinson (taken from a 
Consumer Survey) performed by Parkinson & Saunders; recordings made from 
inside a cupboard outside the main hall by Toby during the second half 
of the concert

Trevor Wishart introducing his work at the Diffusion concert in the 
Jacqueline Du Pres building, Oxford

interviews and field-recordings from the Diffusion concert, including 
David Prior, Trevor Wishart and audience comments

Ricercare by Paul Whitty performed outside Modern Art Oxford during 
Audiograft 2012 - field recordings from close-up to the performance, and 
several streets away

Charlotte talks about performing in Ricercare

electric door at Modern Art Oxford

field-recordings from the final concert of Audiograft at Modern Art 
Oxford, including Lee Patterson & Robert Curgenven; Cremaster (Alfredo 
Costa Monteiro & Ferran Fages); Uniform; Brett Gordon & Kostis Kilymis 
(some recordings were made inside the kitchen at Modern Art Oxford by 
Toby O'Connor)

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framework intro submissions:

1)    take yourself and an audio recorder to a location of your choice
2)    record for /AT LEAST/ one minute before you -
3)    read aloud the following text:

*welcome to framework.

framework is a show consecrated to field recording, and its use in 
composition.  field recording, phonography, the art of sound hunting; 
open your ears and listen!*

*/[3b)  please also feel free to translate this text into your native 
tongue!] /*

4)    continue your recording for /AT LEAST/ two minutes after you have 
finished speaking
5)   post the recording to us on any format, or send us an mp3

thanks!

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