[microsound-announce] Last chance to register to Understanding Visual Music 2011 (register by August 19th)

[Eldad Tsabary]

*Registration is open (free) for Understanding Visual Music 2011*

Registration is now open for the Understanding Visual Music conference 
at Concordia University in Montreal on 26/27 of August 2011. *Register 
to reserve a seat until August 19th!*

Register here: http://uvm2011.hexagram.ca/registration.html

**

*Description*

A two-day conference focused on developing an understanding of the 
practice of visual music, its definition, related creative and 
perceptual considerations, current trends, technological innovation, and 
possible future directions.

The event will take place on Friday the 26th and Saturday the 27th of 
August 2011 and will include paper sessions, panels, and creative works 
presentations.

**

*Featured presenters, curators, and artists:*

Jean Gagnon, Jean Piché, iota center, Dennis Miller, and Lumínico

**

*Paper presenters: *

Brian Evans, Angus Forbes, Mark Franz, Adrian Freed, Andrew Hill, 
Randolph Jordan, Jaroslaw Kapuscinski, Laurie Radford, Lewis Sykes, Jan 
Thoben, Adam Tindale, Ewa Trebacz, Luigi Allemano, Joseph Hyde, Eleni 
Michaelidi, and Xárene Eskandar

**

*Artists:*

Jean Detheux, Dennis Miller, Jane Cassidy, Emilie LeBel, Alison Loader, 
Samuel Pellman, Jean Piché, Insook Choi, Maura McDonnell, Joseph Hyde, 
Mark + Laura Cetilia, Bruno Degazio, Terry Gambarotto, Patrick 
Saint-Denis, Jaroslaw Kapuscinski, Julien-Robert Legault Salvail, Donna 
Hewitt, Angus Forbes

*Background*

The term "visual music" is a loose term that describes a wide array of 
creative approaches to working with sound and image. It may refer to 
"visualized music" in which the visual aspect follows the sound's 
amplitude, spectrum, pitch, or rhythm, often in the form of light shows 
or computer animation, while in other instances it may refer to "image 
sonification" in which the audio is drawn from the image in some 
fashion. Sometimes visual music describes a non-hierarchical correlation 
between sound and image, in which both are generated from the same 
algorithmic process, while in other instances, they are layered without 
hierarchy or correlation altogether. Both sound and image may be 
presented live, fixed, or as part of an interactive multimedia installation.

More information is available on the conference website: 
http://uvm2011.hexagram.ca

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