[microsound-announce] Concert DJ BALLI/ PURE VS HATI/ N. 26.06.09 @ NK Berlin

[hatam at drfz.de]

DJ BALLI/ PURE VS HATI/ N. 26.06.09 @ NK Berlin



NK Elsen str 52 2HH JUNI 26 DOORS OPEN 21.00 CONCERTS START 22 UHR SHARP 
www.myspace.com/enka52 

DJ BALLI 

dj-producer active in the field of "hard-electronics blaxploitation", a 
contamination between black rhythm (jungle, hip-hop, ragga dance-hall) and 
experimental sounds from the tradition of European avant-garde (from
musique 
brute to extreme noize), runs the Italian label "Sonic Belligeranza" 
(http://belligeranza.c8.com) 

dedicated to innovative breaks, his subdivision "+ Belligeranza" dedicated
to noize 
and ideas and finally the other sub "- Belligeranza" dedicated to 
down-tempo extravaganza. Interested in every sort of improbable clash of
genre and of 
vinyl infringement, he developed on a side a peculiar taste for Italian 
folklore-trashy music (folk-core?) to poison his intricate beats with 
sudden ultra-kinetik 4/4 escapes and on the other side advanced
turntablist's 
skills to enhance the "drama" of his live-performance. Apart from his 
various releases on his label and its subs, he has been producing audio 
for Peace Off, Cavage, Invasion Wreck Chords, Intellectual Violence,
Antifaf, 
Amoeba, MusikMekanikCirkus, the Australia based Goulburn Poultry Fanciers 
Society and the Chinese Shanshui records and 532 Studio. Definitely THE 
WRONG NIGGA TO FUK WIZ........! 

PURE 

Pure generates dense abstract music that evokes connotations of dreams and
abstract narrations. 

Since 1992 he released over 30 CDs and vinyls of solo and collaborative
works in different styles under various 
pseudonyms on such labels as Mego (at), Staalplaat (nl), Praxis (ch), and
his own labels dOc, LOOP, ATMOSFEAR, and 
SUB/VERSION (w/ Christoph Fringeli). He has played at festivals around
Europe and North America, such as Argos 
(be), Club Transmediale (de), Mutek (ca), RGB v1 (fr), Sendandreceive (ca),
Phonotaktik (usa). 

Being one of the driving forces behind the first techno parties in Vienna
in 1991, he departed from this style soon 
after to move on to further less explored and harsher fields of electronic
dance music for the next years. 

In the second half of the nineties he did his next step by turning towards
developing his own software instruments. 
He uses this knowledge since then for computer based live performances and
teaching at various universities and 
media labs around europe. 

In 2002 he started TERMINALBEACH together with Erich Berger to play
networked audio-visual live performances. 
They developed HEART CHAMBER ORCHESTRA; an audio-visual collaboration with
12 classical musicians of the 
Trondheim Sinfonietta. The heartbeats of the musicians are used as source
material to generate and control a score 
in real time that the musicians then perform and to generate a digital
video representation as well. The debut 
performance of HCO took place in Trondheim in October 2006 initiated and
produced by TEKS &&035;8211; 
Trondheim Electronic Arts Center. 

His early nineties dance music past caught up with him in 2005 when he
started the successful WASTED Festival 
together with Jason Forrest. The festival, in collaboration with Berlin's
Club Transmediale, has seen 5 full episodes, 
and will be generating more small spin off parties in 2008. 

His latest studio album was released on November 1st 2008 on the Porto
based label CRONICA ELECTRONICA. 
http://www.myspace.com/pvre 

HATI 

HATI is an audiovisual project based on sound of ethnic instruments from
all over the world and hand-made 
instruments or find objects. HATI connects a personal interest in modern
improvised and acoustic music with ritual 
and meditation. The band was founded in 2001 by Rafal Iwanski and Dariusz
Wojtas. They formed many psychedelic 
rock and industrial experimental musical projects since the beginning of
the 90’. HATI have performed many 
concerts in Poland, Germany, Spain, Netherlands, Belgium, Ireland, Northern
Ireland and on festivals, e.g.: Wroclaw 
Industrial Festival, Audio Art in Krakow, Festiwal w Krajobrazie in
Inowlodz, Ambient Festival in Gorlice, Open'er 
Festival, Temple of Silence Festival. In 2006 members of HATI organized and
performed 2 tours with Z’EV, one of 
the founders of ‘industrial' - the cultural movement. All HATI albums
received very good reviews, their unusual 
magic sound and power was emphasized. Nowadays HATI performs as a duo:
Rafal X-NAVI Iwanski and Rafal SABON 
Kolacki and ocasionally with Dariusz MOLOK Brzostek. They are also the
organizers of CoCArt Music Festival (in 
cooperation with Centre of Contemporary Art in Torun). 

Live free improvisation performances with (among others): Z'EV (+ studio),
PURE, Andrzej LAL Kasprzyk (+ studio), 
Robert Curgenven (+ studio), WEREJU, Andrzej Przybielski, Marcelo Aguirre,
Maciej MAGURA Goralski, KO-ON-TEN, 
pathMAN, MOLR DRAMMAZ, Miroslaw Rajkowski, MIRT, Peter Puype, Renoised,
Andrzej Wasilewski (video & audio), 
Raymond Salvatore Harmon (video), Jacek Zielinski (video), Grupa
Performatywna Cialo.Ruch.Miasto (dance) 

HATI played concerts with: Asmus Tietchens, ASTRO/Hiroshi Hasegawa, SUDDEN
INFANT, Reformed Faction, TROUM, 
Thomas Koner, IDIOSYNCRASIA, HIA/Bobby Bird, MODULATE, tbc, Leiche
Rustikal, JOB KARMA, Thy Sinister Bloom, 
VIOLENTA PROJECTA, Brasil and the Gallowbrothers Band, PANKRATZ, and many
others... 
http://www.myspace.com/hatitah 

N. 

Two empty tape-recorders, one connected to the other, no sound if not the
distortion produced by the tape-
recorders themselves in play/rec. On this recording of Nothing the
modulations of vintage analogic effects: emptied 
frequencies, prenatal sounds without any sonic grain, audio for a flat
electroencephalogram. The selection of the 
technical set-up through which sounds are produced is part of the N.
(Nihilism, No, Not, Never, Nutella...) aesthetics. 
http://www.boringnoise.com/ 

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