[microsound-announce] Call for microsound works
ben owen
benmowen at gmail.com
Sun Jul 12 23:57:53 EDT 2009
hi David,
On Jul 12, 2009, at 10:14 PM, Daniel Neumann wrote:
> Microsound is a term that encompasses explorations of sound on a
> time scale "shorter than musical notes". It includes subgenres such
> as Glitch music, granular synthesis, Lowercase sound, etc.
really?
to quote the two mailing list pages where discussions around these
terms flourished -->
lower-case sound list - initiated march 1999 - states:::
lowercase-sound is a unmoderated discussion & announcement list
concerning a disparate group of musics, sound art & listening
experiences that emphasize or include some or all of the
characteristics of low volume, silence, soundscape/environmental/field
recordings, indeterminacy, psycho/acoustic treatments of space,
environment & context & possible relationships of this work to art in
other media ie painting, drawing & film & poetry. Some examples
include the music of Morton Feldman, AMM, John Cage, Artists on the
Trente Oiseaux label (eg bernhard gunter, Francisco Lopez, Steve
Roden), Field recordings of Chris Watson & visual work by Agnes
Martin, Robert Ryman , Stan Brakhage & Andre Tarkovsky. Discussion of
particular works, personal listening experiences, recordings,
technique, theory, reviews & announcement of related performances,
conferences, festivals & recording releases are encouraged.
microsound mailing list - initiated october 1999 - states:::
.microsound is an unmediated mailing list oriented toward discussion
of the styles of digital and post-digital music promulgated by the
proliferation and widespread adoption of digital signal processing
(dsp) tools.
.microsound is not a "genre" mailing list, since this proliferation
has occurred largely without regard for stylistic boundary.
instead, .microsound presents itself as a forum for the discussion and
exploration of a more general "digital aesthetic" manifesting across a
wide variety of styles and disciplines -- from academic computer music
to post-industrial noise to experimental ambient and post-techno.
to group lower-case musics as a sub-genre of "microsound" (in your
words a "technical term and musical genre") is rather dangerous from
a historical/curatorial point of view.. don't you think?
regards,
ben
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