[microsound-announce] Furthernoise issue April 2009

[Roger Mills]

Hi everyone,

For your interest, we now have the April Issue of Furthernoise up on  
line.

Furthernoise issue April 2009
http://www.furthernoise.org/index.php?iss=78

"Behind the Celer Door" (feature)
Celer - California-based couple, Will Long and Dani Baquet-Long - are  
purveyors of textural ambient with an ever-expanding catalogue  
testifying to the depth and breadth of their work. Their organic- 
digital audio-data minings come with a mission statement: “to produce  
works that reflect the nature of love, family, and their concerns and  
interests, through a relative and absolute symposium of expression.”
http://www.furthernoise.org/page.php?ID=286
feature by Alan Lockett

"A Fit of the Jerks - Kirameki" (review)
Kirameki are two Scottish and Japanese musicians collaborating over  
the Internet. They're unpredictable, draw on a wide-range of  
influences, and don't shy away from humourous audio manipulation.
http://www.furthernoise.org/page.php?ID=288
review by Alex Young

"Back to Minus - TL041" (review)
Back to Minus gurgles and plods along like a large amphibious  
spaceship. I can hear distant roaring drone of the engine in its  
belly. TL0741 has a knack for colouring in the same shade of doom song  
while revealing more and more detail through ever so slowly morphing  
his effect settings.
http://www.furthernoise.org/page.php?ID=290
review by Derek Morton

"Intuitive Music Live in Cologne - Flowers of Now" (review)
Recorded live at St. Maternus Church, Cologne, Germany in 2006 Flowers  
of Now - Intuitive Music Live in Cologne is an album collaboration  
featuring Luca Formentini (electric guitar), Markus Stockhausen  
(trumpets), Vera Fischer (flutes), Tara Bouman (clarinets) and Deborah  
Walker (cello). As a live recording it contains all the signifiers of  
an environment like this.
http://www.furthernoise.org/page.php?ID=289
review by Roger Mills

"Touching the heart of the drone" (review)
Chicago-based Haptic is a group of musicians layering drones live, in  
real time, since 2005. Their music blends into a slowly evolving  
texture, combining deep resonance with subtle, chaotic percussives,  
with just enough references to focus attention through the rich,  
simmering background.
http://www.furthernoise.org/page.php?ID=287
review by Caleb Deupree

"Wounded Breath - Erdem Helvacioglu" (review)
Wounded Breadth is another immersive sonic experience from one of  
Turkey's more esteemed sonic sculptors, Erdem Helvacioglu. Where his  
previous work sounded like heaven's ire, with its processed guitar and  
a veritable menagerie of blunt yet beautiful electronic textures,  
Wounded Breadth is a strictly electro-acoustic album of a more  
aggressive, conceptual bent.
http://www.furthernoise.org/page.php?ID=292
review by Max Schaefer

Roger Mills
Editor,
Furthernoise.org








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