[Microsound-announce] Hz #9

[Jean-Louis Huhta]

>
http://www.hz-journal.org

Hz #9 presents:

[Articles]

THE COMPOSITION-INSTRUMENT: MUSICAL EMERGENCE AND INTERACTION
by Nobert Herber
Composer and sound artist Nobert Herber explores the question "What  
kinds of compositional technique can be used to create a music" in  
the field of computer games and interactive digital media where the  
line between "composition" and "instrument" is increasingly blurred.

LeWITT’S IDEAL CHILDREN
by Domenico Quaranta
"Software art is conceptual art's acknowledged son" is the hypothesis  
around which art critic and curator Domenico Quaranta builds his  
anyalisis on genealogy of software art: "Is the history of conceptual  
art relevant to the idea of software as art?"

DISSONANCE, SEX AND NOISE: (RE)BUILDING (HI)STORIES OF  
ELECTROACOUSTIC MUSIC
by Miguel Álvarez Fernández
Composer, musicologist and curator Miguel Álvarez Fernández  
deconstructs the reading of history of electroacoustic music through  
the concepts of dissonance and noise.

BEHIND TECHNOLOGY: SAMPLING, COPYLEFT, WIKIPEDIA AND TRANSFORMATION  
OF AUTHORSHIP AND CULTURE IN DIGITAL MEDIA
by Sachiko Hayashi
With sampling as starting point, artist Sachiko Hayashi relocates  
several issues relevant to the culture of digital media.

OPENING UP PUBLIC SPACE
by Art Clay
By "using wearable computing technology within global ubiquitous  
networks as an art tool," sound artist Art Clay's new project "China  
Gate" opens up our civic space for "one of the most important  
functions of public performance: social interaction."

TIME AND REAL-TIME IN ONLINE ART
by Ewa Wojtowicz
"If there is a navigable cyberspace – does it imply navigable time as  
well?" New Media Art historian Ewa Wojtowicz examines net art  
practice that employs time from various perspectives.

[Hz Net Gallery]

HYPERTEMPORALITY ANIMATIONS
by Paul Blades

15x15
by Richard Vickers

CITYSNAPPER_5[BERLIN]
by Olivier Vanderaa

SUPERIMPOSITIONS
by Position

{TRANSCRIPTION}
by Michael Takeo Magrude


Hz is an on-line journal published by the non-profit art organization  
Fylkingen in Stockholm. Established in 1933, Fylkingen is the oldest  
forum for experimental music and intermedia art in Sweden. Throughout  
its history Fylkingen has been known to be a driving force in the  
Swedish art scene to introduce and promote yet-to-be-established art  
forms, the examples of which include the music of Bartok, the video  
works of Nam June Paik, Electro-Acoustic music during the '50s as  
well as the New Media performance of Stelarc in recent years. Our  
members are leading composers, musicians, dancers, performance  
artists and visual artists in Sweden. For more information on  
Fylkingen, please visit www.hz-journal.org/n4/hultberg.html.

Sachiko Hayashi/Hz


Fylkingen
Box 17044
SE 104 62 Stockholm
Sweden
+46-(0)8-845443
intermedia at fylkingen.se
www.fylkingen.se


Fylkingen
Box 17044
SE 104 62 Stockholm
Sweden
+46-(0)8-845443
intermedia at fylkingen.se
www.intermedia.se

http://www.myspace.com/jeanlouishuhta
http://www.idealrecordings.com
http://www.seams.nu
http://www.skulldfx.com/
  http://www.slottet.eu/

-------------- next part --------------
An HTML attachment was scrubbed...
URL: http://or8.net/pipermail/microsound-announce/attachments/20070108/f53ecf77/attachment.htm