[Microsound-announce] Roger Mills & Neil Jenkins Live Net Performance

[Roger Mills]

Furthernoise.org Live A/V Net Mixing - 4th June, 16.00 hrs BST (GMT-1)
Featuring Roger Mills & Neil Jenkins - UK

Roger Mills & Neil Jenkins have collaborated on numerous A/V projects  
developing a symbiosis of aesthetic in visual organic structures and  
sound underpinned by a social politic. Manipulating found sounds,  
trumpet and generative images their audio visual mixing takes on an  
earthy, ethereal quality with an underlying melancholy.

Catch their live file mixing performance online at  
http://www.visitorsstudio.org or join them live at Watershed, Bristol.  
The event will also be screened at The Point CDC, Bronx, New York at  
11.00am - 13.00pm.

Part of the Month Of Sundays events.




On 26 May 2006, at 15:52,  
microsound-announce-request at microsound.nexthop.net wrote:

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> Today's Topics:
>
>    1. Andrew Duke--Consumer vs. User now available	on CD on Phthalo
>       (Andrew Duke)
>    2. Fri,	5/26 unusual electro-acoustic music in Oakland
>       (Matt Davignon)
>    3. CONTENTS ONDA SONORA 24/31-05-06 (Onda Sonora Radio)
>    4. maikko | montreal (maikko at otolab.net)
>    5. e/i magazine ceases publication (darren bergstein)
>    6. Music Dances Itself (Richard Whitelaw)
>    7. upcoming june performances (bruce tovsky)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Wed, 24 May 2006 13:21:46 -0300
> From: Andrew Duke <andrew at andrew-duke.com>
> Subject: [Microsound-announce] Andrew Duke--Consumer vs. User now
> 	available	on CD on Phthalo
> To: microsound-announce <microsound-announce at microsound.nexthop.net>
> Message-ID: <4474881A.5040900 at andrew-duke.com>
> Content-Type: text/plain; charset=us-ascii; format=flowed
>
> I am thrilled to announce that my Consumer vs. User album is out now  
> and
> available on CD on California's Phthalo:
> http://www.phthalo.com/cat.php?cat=phth40
>
> Phthalo has always been one of my favorite electronic music labels, and
> it is a priviledge to be on an imprint with faves of mine including
> Phthalocyanine, OST, Kit Clayton, Vladislav Delay, Massaccesi, Mimi +
> Boyd (ie Vapourspace and Punisher), Eight Frozen Modules (ie [a]pendics
> shuffle), Blectum From Blechdom, and many many more.
>
> Consumer vs. User is rugged and rhythmic and raw, yet detailed and open
> and spacious, sort of like a distant cousin of my Sprung album--which
> was released on Bip-Hop and went on to be nominated for Album of the
> Year (Electronica) at the Canadian Independent Music Awards.  There's
> even DJ-friendly material on here, too (some straightforward, some more
> adventurous).
>
> This album is mastered by Mark "Vapourspace" Gage, one of my early
> techno heroes, and features two collaborations with the USA's  
> Massaccesi
> and a remix of a track from the UK's Tristan "Phonopsia" Watkins (a
> long-time 313-Detroit mailing-list member).
>
> Here is what Phthalo's Phthalocyanine writes about this album:
> "Consumer vs. User is Andrew's first appearance on Phthalo. It is a
> focused study, filling out unlikely accent schemes with abstract DSP
> techniques. The aesthetic is semi-derived from something reminiscent of
> classic Detroit minimal techno (I think of Terrence Dixon, Kevin
> Saunderson, and early Plus 8 stuff like the stark, controlled acid bass
> stabs of Heinrich Tillack AKA Sysex). I also however hear our label,
> Phthalo, embedded in this work, particularly references to the  
> extensive
> exploration of heavily processed, raw, beaten-up drum machines given to
> us by O.S.T. (Chris Douglas) (e.g. Phthalo#09: O.S.T. Live @ Static)  
> and
> Phthalocyanine (e.g. Phthalo#05: Phthalocyanine: Zacks e.p.) in the  
> late
> 90's. These ideas work here as the point of departure for a music that
> is meticulously arranged and much richer in variation than vernacular
> minimal techno, though much more 'moderate' than O.S.T.'s work. "
>
> Stay tuned for details on a remix contest that will involve remixing  
> one
> of the tracks from Consumer vs. User.  The best remixes will be  
> released
> and there may even be some prizes.
>
> Thank you.
> Take care.
> Andrew
>
> --  
> Andrew Duke
> scoring/sound design/source
> http://andrew-duke.com
> http://myspace.com/andrewduke
> Cognition Audioworks label
> [Andrew Duke, Foal, Clinker, Granny'Ark]
> http://cognitionaudioworks.com
>
>
>
> ------------------------------
>
> Message: 2
> Date: Wed, 24 May 2006 09:16:13 -0700 (PDT)
> From: Matt Davignon <mattdavignon at sbcglobal.net>
> Subject: [Microsound-announce] Fri,	5/26 unusual electro-acoustic
> 	music in Oakland
> To: microsound-announce at microsound.nexthop.net
> Message-ID: <20060524161613.68318.qmail at web81413.mail.mud.yahoo.com>
> Content-Type: text/plain; charset=iso-8859-1
>
> Friday, May 26 2006 8:00 PM
>
> 21 Grand
> 416 25th St @Broadway
> Oakland, California
> $6-10 sliding scale
>
> 3 sets of unusual electroacoustic music by
>
> ---(most of) Mire
>
> ---Matt Davignon & David Michalak duo
> (drum machine & lap steel guitar)
>
> ---Aram Shelton solo (electronics)
>
>
> Mire is:
> Elise Baldwin - laptop
> Joel Pickard - pedal steel guitar
> Seth Warren - percussion
> (and usually William Fowler Collins, but he'll be out
> of town this time)
>
> Mire was formed in early 2004. Their music, at times,
> is a cinematic blending of experimental, electronic,
> psychedelic, country, noise, and free improvisational
> qualities.
>
> Raised on a farm in Idaho, Elise Baldwin now resides
> in San Francisco, where she recently completed her MFA
> in Electronic Music at Mills College. When not
> indulging her interest in pyrokenesis or reading
> compulsively in the bath, E can be found cooking up
> aurally hazardous byproducts in her studio or building
> software instruments for video manipulation. She has
> whiled away much of the past decade as a sound
> designer and recording engineer, composing for
> theater, film, computer games, live performance, and
> audio installations. Active in the Bay Area
> experimental music scene, she focuses on solo and
> collaborative intermedia performance, appearing
> recently at the ARTSfest 2004, E.S.P. Media Lounge,
> CalArts CEAIT Festival 2003, the Lab and the National
> Queer Arts Festival. She is a recipient of the 2004
> Frogs Peak Award for Experimental Music.
>
> Joel Pickard has an MA in Composition from Mills
> College in Oakland, CA where he studied with Fred
> Frith, Alvin Curran, and Pauline Oliveros. He has a BA
> in Music from Bethel College in St. Paul, MN where he
> studied classical guitar. One of his most recent
> interests has been developing a non-traditional
> language on the pedal steel guitar, an instrument long
> relegated to providing the weeping backdrop to
> generations of country music ballads. In addition to
> freelance work, Joel is active as a performer in both
> solo and group settings.
>
> Seth Warren grew up in New Hampshire, studied English
> Literature and Religion at Lawrence University in
> Wisconsin and began an MFA in Electronic Music and
> Recording Media at Mills College in 2003. He creates
> electro-acoustic music, sound sculptures and
> installations, sound design for theater and film, and
> performs as a drummer and percussionist in the bay
> area and abroad.
>
>
> Matt Davignon is an experimental musician living in
> Oakland, California. Since 1993, he has developed his
> own unique style of music, which focuses largely on
> textures, arrhythmic patterns and musical
> imperfections. Since 2004, he has been focusing
> primarily on the drum machine. Instead of using it as
> a rhythm device, he plays the pads manually while
> processing the sounds through an array of effects
> devices and samplers, improvising music made of
> organic-sounding textures, hums, gurgles and crackles.
>
> David Michalak frequently performs on lap steel guitar
> and an assortment of odd percussion instruments. While
> David is more commonly known as a filmmaker (50 films
> with original soundtracks since 1971), the visual art
> side of him seeps inherently into his solo
> performances and group compositions, which are
> characterized by shimmering passages, abstract
> snapshots and haunting representations of natural
> elements. David has founded the instrumental ensembles
> Reel Change and Ghost In The House. He's also part of
> the duo Dr. Bob. The latter 2 groups will have new cds
> this year.
>
> Aram Shelton will be creating music via sample based
> computer improvisations, combining acoustic samples of
> saxophone, clarinet, bass clarinet and trumpet
> originally played by Jonathan Crrawford, Steve Hess
> and himself. Highly active in Chicago's creative music
> scene, Shelton has recently moved to Oakland, where
> he's studying at Mills College. His focus continues to
> be on improvisation based music that combines
> electronics and acoustics naturally in a live setting.
>
>
>
>
>
> ------------------------------
>
> Message: 3
> Date: Thu, 25 May 2006 11:53:53 +0200 (CEST)
> From: Onda Sonora Radio <ondasonoraradio at yahoo.es>
> Subject: [Microsound-announce] CONTENTS ONDA SONORA 24/31-05-06
> To: microsound-announce at microsound.nexthop.net
> Message-ID: <20060525095353.38087.qmail at web25601.mail.ukl.yahoo.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
>   ONDA SONORA (Experimental Radio Sessions), Madrid (ES)
> ?Radio C?rculo de Bellas Artes 100.4 FM
> Mi?rcoles/Wednesday 15h -www.circulobellasartes.com
> www.ondasonoraradio.com ?Listen any time  
> http://www.artesonoro.org/archives/category/artesonororadio/ 
> radio_ondasonora/
>
>   CONTENTS ONDA SONORA 24/31-05-06
>
>       01. SABU TOYOZUMI & EXIAS-J
> Track: Pt 3
> Album: Sons Scapegoat
> Label: Siwa
>
>   02. ROVA ORKESTROVA
> Track: Head, Group Improv/ Larry Solo Over R&n, Group Impro / Head
> Album: Electric Ascension
> Label: Atavistic
>
>   03. TAYLOR DEUPREE
> Track: Haze It May Be
> Album: Northern
> Label: 12K
>
>   04. THE VILLAGE ORCHESTRA
> Track: All The Little Lights Going Out
> Album: Et In Arcadia Ego
> Label: Highpoint Lowlilfe
>
> 05. YELLOW SWANS
> Track: Untitled 1
> Album: Drift
> Label: Acuarela
>
> 06. XIU XIU (Live In Cafe La Palma, 29-05-06, 21:30h)
> Track: Clover / Yellow Raspberry
> Album: La Foret
> Label: Acuarela
>
>
>
>   Nota: Este mensaje no ha sido solicitado, pero hemos considerado que  
> podr?a interesarte. De no ser as?, responde con un mensaje titulado  
> "borrame" y ser?s inmediatamente eliminado del mailing. Muchas gracias
>
>   Note: This is an undemanded message, but we have considered it could  
> be interesting for you. If that's not your case, then reply us with  
> this subject for the message: "delete me", and you will be inmediately  
> out from the mailing. Thank you
>
>
> 		
> ---------------------------------
>
> LLama Gratis a cualquier PC del Mundo.
> Llamadas a fijos y m?viles desde 1 c?ntimo por minuto.
> http://es.voice.yahoo.com
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> ------------------------------
>
> Message: 4
> Date: Thu, 25 May 2006 17:46:58 -0400
> From: "maikko at otolab.net" <maikko at otolab.net>
> Subject: [Microsound-announce] maikko | montreal
> To: microsound-announce at microsound.nexthop.net
> Message-ID: <447625D2.4040705 at otolab.net>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> hello all
> for those of you in the montreal area
>
> --
> Montreal
> 27.05.2006
>
> TEXTURES_07: Blunderspublik, Maikko, UniSecs
> La Salle D'Attente, 5490 St-Laurent
> 21h / 9 pm, 3$
>
> Textures is a series of deep-listening events held on the last
> Saturday of each month at Pharmacie Esperanza. These salon-style
> concerts focus mainly on live performances of ambient, improv, idm and
> experimental music in a comfortable and intimate setting. The
> following are details for this month's edition.
>
> www.sfeericle-records.com
> www.otolab.net
> www.creazone.ca
> www.panospria.com
>
> --
> Montreal
> 28.05.2006
>
> SHARE MTL - PREMIER ANNIVERSAIRE
> Partenariat Vid?ographe Production
> ? partir de 20 h
> Centre FRACTAL - 7240 Clark (coin Jean-Talon)
> 20 secondes du M?tro de Castelnau
> Bus 55 & 363 sur St-Laurent boul.
>
> Solos:
> Maikko (audio / visuel) Italie www.otolab.net
> David Kristian (audio) Montr?al www.davidkristian.com
>
> Jam collectif (d?j? annonc?s) :
> France (I8U) (audio) Montr?al www.i8u.com
> Evans Simard (audio) Montr?al www.cc6studio.com
> Martine Crispo (audio) Montr?al
> St?phane Bergeron (audio/visuel) Montr?al
> Angela Di Lauro (performance) Montr?al
> Karsten Kroll (performance) Montr?al
> Yvan Arshoun (audio) Montr?al
> Sylvain Cormier (audio/visuel) Montr?al
> Marie-H?l?ne Parant (visuel) Montr?al
> R?mi Beaupr? (audio) Montr?al www.myspace.com/accidentaccident
> Groupe TIND (visuel) Montr?al
> Jan Pienkovski (audio) Montr?al www.onorecords.com
>
> --
> ciao
> maikko
>
> -- 
> http://www.otolab.net
> http://www.microsuoni.com/labels/otolab.html
> http://www.risonanza-magnetica.com/label.php?id=028
> http://www.stasisfield.com/releases/sf-3009.html
> http://www.vidauxs.net/
>
>
> ------------------------------
>
> Message: 5
> Date: Thu, 25 May 2006 18:02:33 -0400
> From: darren bergstein <eimag at optonline.net>
> Subject: [Microsound-announce] e/i magazine ceases publication
> To: the_ambient_way at yahoogroups.com, ambient at hyperreal.org,
> 	Ambient_Landscape at yahoogroups.com, idm_mart at yahoogroups.com,	idm
> 	<idm at hyperreal.org>, thewire-announcements at yahoogroups.com,
> 	microsound-announce at microsound.nexthop.net,
> 	spacemusic at yahoogroups.com, 	beyondem at yahoogroups.com
> Message-ID: <FE7DBC22-3683-46CA-B67D-E26B9BC39007 at optonline.net>
> Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed
>
> hello to all:
>
> e/i #7 is now available - visit www.ei-mag.com for further info.
>
> however, it is with deep regret that i must announce that with this
> issue, e/i will be ceasing publication as a print magazine. (note
> that back issues will remain available for purchase while supplies
> last.)
>
> we will be maintaining our web presence and have some things in
> development that will be taking shape throughout the coming months.
> further announcements will be forthcoming.
>
> - darren bergstein
>    publisher
>
> - - -
> e/i magazine
>> music electronic & otherwise <
>
> 9 edward pl
> woodcliff lake nj 07677 usa
>
> info at ei-mag.com / eimag at optonline.net
> www.ei-mag.com
>
> storm the studio blog
> www.stormstudio.blogspot.com
> - - -
>
>
>
>
> ------------------------------
>
> Message: 6
> Date: Fri, 26 May 2006 15:39:59 +0100
> From: Richard Whitelaw <richard at sonicartsnetwork.org>
> Subject: [Microsound-announce] Music Dances Itself
> To: <microsound-announce at microsound.nexthop.net>
> Message-ID: <C09CD1CF.E008%richard at sonicartsnetwork.org>
> Content-Type: text/plain; charset="ISO-8859-1"
>
> Press Release ? For Immediate Release
> Music Dances Itself, curated by Junko Wada
>
>
> Artist:  Junko Wada
> Title:  Music Dances Itself
> Label: Sonic Arts Network
> Format:  CD & Booklet
> Release  Date: 05.06
> Limited  Edition: 1000
>
>
> Sonic Arts Network is proud to present the seventh instalment of their
> critically acclaimed CD series - Music Dances Itself, curated by Junko  
> Wada.
>
> Music Dances Itself is a deeply personal selection of music from  
> Japanese
> performance artist and dancer, Junko Wada. The publication was  
> produced and
> guided by a process of curation, performance and collaboration, which  
> saw
> Junko coming to the UK and giving an intimate performance at the  
> Jerwood
> Space, London, and has resulted in a delicate and beautiful  
> exploration of
> the sound art and music that have impacted upon her life and work.  
> British
> artist Sarah Waring, who has produced specially commissioned artwork  
> for the
> publication, has translated the live performance given by Junko into  
> image.
>
> Music Dances Itself draws lines between points in Junko?s life;  
> plotting her
> relationships and life experiences and connecting them together through
> curation, performance and visual representation. The resulting CD  
> contains
> some of the great names in contemporary music including Akio Suzuki,
> Christina Kubisch, Hans Peter Kuhn, David Moss and Rolf Julius as well  
> as
> rising figures such as Arno P.Jiri Kraehahn and Arnold Dreyblatt.
>
> Junko Wada was born in Tokyo, 1955 and after finishing her studies in
> painting at Musashino University of Art and two solo exhibitions at  
> Kamakura
> gallery in Tokyo (1982,83) she intensified her interest in performance  
> art
> and started to develop a very personal dance; replacing screen and  
> brush
> with body and stage. She has since collaborated with some of the  
> world?s
> leading composers. Since 1999 she has lived and worked in Berlin and  
> in 2004
> she published the book Chidori which documented the performance series  
> she
> conceived as a collaboration with 20 other artists. www.junkowada.de
>
> This publication is part of the critically acclaimed Sonic Arts Network
> guest-curated CD series; a collection of themes and ideas that explore  
> the
> edges of music and sound. Past issues have been curated around  
> ?Pataphysics,
> a call for silence, Adorno inspired improv, outsider and DIY music,  
> impure
> poetry and the lost art of radio broadcasting.
>
> After Music Dances Itself, Stewart Lee, comedian and writer of, amongst
> other things, Jerry Springer the Opera, will curate the next release  
> in the
> series (August 2006).
>
> By becoming a member of Sonic Arts Network you will receive a  
> complimentary
> issue of the CD three times a year.  They are also available to buy
> individually from the online shop. For more information visit
> www.sonicartsnetwork.org
>
>
>
> ------------------------------
>
> Message: 7
> Date: Fri, 26 May 2006 10:52:23 -0400
> From: bruce tovsky <bruce at skeletonhome.com>
> Subject: [Microsound-announce] upcoming june performances
> To: Douglas Baldwin <microsound-announce at microsound.nexthop.net>
> Message-ID: <3D8D6A4EECC711DAB928000D9377CD3C at skeletonhome.com>
> Content-Type: text/plain; charset=iso-8859-1
>
> Hi eveyone
> As always, apologies for cross-posting.
> I'm very excited about these two performances coming up in early June  
> at Issue Project Room. The first features Stephen Flinn, a  
> percussionist that I met in LA on my recent west coast tour. We were  
> on the same bill at Il Corral and I really enjoyed his set and he  
> liked what I was doing so we made plans to do a collaboration when he  
> came through New York. He also suggested that we invite Brooklyn-based  
> multi-instrumentalist Michael Evans, to join us. This should be quite  
> a bit more propulsive than my usual fare.
> I am also thrilled to have been invited to join Emil de Waal and some  
> of his friends for a large ensemble piece which features some of my  
> favorite performers: Gustaf Ljunggren, a great guitarist from Sweden;  
> Erik Sanko, a fantastic player and songwriter who I have been  
> collaborating with recently; and Andy Green, ace producer, great  
> guitar slinger and an old friend of many years. Also on board is  
> Danish keyboardist S?ren Kjaergaard.
>
> June 1 8pm $10
> Issue Project Room
>
> Stephen Flinn | Michael Evans | Bruce Tovsky
>
> Percussionists Stephen Flinn and Michael Evans join forces with sound  
> artist Bruce Tovsky for an evening of improvisations, exploring the  
> territory between acoustic instrumentation and electronic  
> manipulation. Flinn's extended technique mastery of the elements of a  
> drum kit and Evans' journeyman creation of sounds are acoustically  
> generated and combined with lo-tech electronics and Tovsky's processed  
> sustainer guitar and cracklebox.
>
> Stephen Flinn is a drummer and percussionist who also works with  
> unusual sound sources including self-made insturments and found  
> objects. He lives in San Francisco and spends his time teaching,  
> performing, and writing.
>
> Michael Evans is an improvising drummer/percussionist/  
> multi-instrumentalist/composer whose work investigates and embraces  
> the collision of sound and theatrics. His work with unusual sound  
> sources includes found objects, homemade instruments, the theremin and  
> various digital and homemade analog electronics. He has performed with  
> Jeff Arnal, Claire Barratt, Jac Berrocal, Lol Coxhill, EasSide  
> Percussion, Fast Forward, God is my Co-Pilot, Susan Hefner, Skip  
> LaPlante's Music for Homemade Instruments and others.
>
> Bruce Tovsky is a visual/sound artist who for the past several years  
> has been creating live video and sound improvisations in collaboration  
> with artists such as John Hudak, David Linton and Kim Cascone at  
> spaces such as Diapason, Experimental Intermedia, Issue Project Room,  
> and his own installation space 106BLDG30 at the Brooklyn Navy Yard.
>
>
> June 8th 8pm $10
> Issue Project Room
>
> Emil de Waal plus + guests
>
> Featuring Swedish multi-musician Gustaf Ljunggren, S?ren Kjaergaard on  
> key instruments and Emil de Waal on drums, percussion and laptop.
>
> w/Erik Sanko, Bruce Tovsky and Andy Green
>
> Freeform music by Emil de Waal will be presented from his work at the  
> Rhythmic Music Conservatory on Holmen in Copenhagen, Denmark.  
> Accompanying artists will work with Emil's recorded material, adding  
> solos and backing on the preliminary live recordings.
>
> Emil de Waal is one of the most heavily engaged drummers in Danish  
> rhythmic music, and has toured internationally and appeared on 150  
> releases since 1986. De Waal is also known as a band-leader,  
> programmer, composer and arranger for artists such as the Blue Note  
> recording jazz vocalist Caecilie Norby and Grammy Award laureate  
> vocalist Randi Laubek, and has performed with Robert Palmer, Kele Le  
> Roc, Jocelyn Brown, Jon Cleary and others.
>
> Multi-instrumentalist Erik Sanko has worked with Skeleton Key, Lounge  
> Lizards, Yoko Ono, John Cale and many others.
>
>
> ISSUE PROJECT ROOM
> 400 Carroll Street
> between Bond and Nevins
> Brooklyn, NY 11231
>
> Telephone: 718-330-0313
>
> General Info/ Join our Mailing List
> info at issueprojectroom.org
>
> SUBWAY:
> F or G Train to 'Carroll St' (fourth stop in Brooklyn from Manhattan).  
> Exit at front of train. Walk 2.5 blocks from stop down Carroll.
>
> BY CAR:
>
> (From the Brooklyn Battery (toll) Tunnel, use a right-hand toll lane  
> and take the next to the right lane after the tolls and take the "Exit  
> Only" lane for Exit 26, Hamilton Avenue. Stay/bear left down the exit  
> ramp and go left under the highway (Stay to the right of the suppers  
> that divide the road!) where you will be facing/about to cross  
> Hamilton Avenue. Clinton Street is diagonally to your left, between  
> Hamilton on the hard left and Huntington to the right. Go into Clinton  
> street and continue on Clinton through 4th, 3rd, 2nd and 1st Places to  
> Carroll Street. Parking is not a problem.
>
>> From the Brooklyn, Williamsburg or Manhattan Bridges, Queens, or Long  
>> Island, head S/W on the Brooklyn/Queens Expressway (BQE/278), towards  
>> the Verrazano Bridge. Stay in the center lane until Exit 26 to avoid  
>> getting caught up in the left and right exits-only. It is then the  
>> exact same exit and procedure as above because the BQE merges with  
>> the tunnel exit and the Gowanus Expressway just before that point.
>
> bruce tovsky
> www.skeletonhome.com
>
> "Reality is whatever refuses to go away when I stop believing in it.."
> Philip K. Dick
>
> If you wish to be removed from this list please reply with "remove" in  
> the subject line.
>
>
>
> ------------------------------
>
> _______________________________________________
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> Microsound-announce at microsound.nexthop.net
> http://or8.net/mailman/listinfo/microsound-announce
>
>
> End of Microsound-announce Digest, Vol 14, Issue 13
> ***************************************************
>